All Stories

  1. Perceived professional identity formation and influencing characteristics among speech pathology students
  2. Analyzing predictors of perceived graduate employability from sufficiency and necessity perspectives
  3. An investigation into accounting and business students’ employability beliefs
  4. Exploring the Interplay Between Equity Groups, Mental Health and Perceived Employability Amongst Students at a Public Australian University
  5. Preparing for work placements: sensemaking among international health science students
  6. A multi-institution study of the impacts of concurrent work and study among university students in Australia
  7. Perceived employability and career readiness among STEM students: does gender matter?
  8. The impact of pre-entry work experience on university students’ perceived employability
  9. Using instrumental mentoring to prepare students for work-integrated learning
  10. Graduate employability and the career thinking of university STEMM students
  11. In the name of employability: Faculties and futures for the arts and humanities in higher education
  12. Editorial
  13. Validation of the Musical Identity Measure: Exploring musical identity as a variable across multiple types of musicians
  14. Is there a gender difference in STEM students' perceived employability?
  15. Employability beliefs of business students by gender and year of study: Implications for higher education
  16. Understanding the musical identity and career thinking of postgraduate classical music performance students
  17. Learning in the workplace: newcomers’ information seeking behaviour and implications for education
  18. Does Regionality Influence Students' Perceived Employability and Career Orientation? A Study of Students at an Australian University
  19. Understanding the career decision making of university students enrolled in STEM disciplines
  20. Gendered differences in perceived employability among higher education students in STEM and non-STEM disciplines
  21. Graduate employability and the career thinking of university STEMM students
  22. Business students’ thinking about their studies and future careers
  23. Post-Degree Intentions of Female International Undergraduate Students Studying in Malaysia
  24. Pedagogies for employability: understanding the needs of STEM students through a new approach to employability development
  25. A lifespan perspective on multi-professional musicians: does music education prepare classical musicians for their careers?
  26. Marketing graduate employability: understanding the tensions between institutional practice and external messaging
  27. From expert student to novice professional: higher education and sense of self in the creative and performing arts
  28. Building sustainable portfolio careers in music: insights and implications for higher education
  29. Working respectfully with Aboriginal people through service learning and placements
  30. Leadership and Musician Development in Higher Music Education
  31. How women composers manage gender identity
  32. Creating a career as a female composer: implications for higher music education
  33. Study experiences and the post study intentions of female international undergraduate students
  34. Creative industries workers’ career decision-making
  35. Community Service Learning with First Peoples
  36. Bourdieu’s Field Theory and the Social Sciences
  37. Investigation of students’ experiences of gendered cultures in engineering workplaces
  38. Isolation in studio music teaching: The secret garden
  39. Aboriginal people and higher education student journalists working together to create change
  40. Audience reactions to the program notes of unfamiliar music
  41. Graduate outcomes for disadvantaged students in Australia
  42. Feminist research in music: The case of composers and why more gender work is necessary
  43. How do research-intensive universities portray employability strategies? A review of their websites
  44. Singaporean pre-service music teachers’ identities, motivations and career intentions
  45. Purpose-built, Web-based Professional Portfolios: Reflective, Developmental and Showcase
  46. What is required to develop career pathways for teaching academics?
  47. Sexual Harassment in the Creative Industries: Tolerance, Culture and the Need for Change
  48. Understanding the work of people in the creative industries
  49. Employability for music graduates: Malaysian educational reform and the focus on generic skills
  50. Student musicians’ experiences of reflexivity during internships: Personal narratives and complex modalities
  51. Developing a community of practice in a university setting.
  52. Work Placement for International Student Programmes (WISP): A Model of Effective Practice
  53. Functional and Cognitive Aspects of Employability: Implications for International Students
  54. What Does Internationalisation or Interculturalisation Look Like in the Future in the Higher Education Sector?
  55. Professional Learning in the Work Place for International Students
  56. A Student-Staff Community of Practice Within an Inter-University Final-Year Project
  57. The Composer’s Program Note for Newly Written Classical Music: Content and Intentions
  58. ePortfolios and the Development of Student Career Identity Within a Community of Practice: Academics as Facilitators and Guides
  59. Involuntary career transition and identity within the artist population
  60. An Australian study of possible selves perceived by undergraduate engineering students
  61. Developing employability in higher education music
  62. Is creative work sustainable? Understanding identity, motivation, and worth
  63. Exploring possible selves in a first-year physics foundation class: Engaging students by establishing relevance
  64. Implementing and Sustaining Higher Education Service-Learning Initiatives
  65. Arts-Based Service Learning with Australian First Peoples: Concepts and Considerations
  66. Finding Common Ground: Combining Participatory Action Research and Critical Service-Learning to Guide and Manage Projects with Aboriginal Communities
  67. Reconceptualizing Sustainable Intercultural Partnerships in Arts-Based Service Learning
  68. Service Learning in an Urban Aboriginal Community: “Real Aborigines Don’t Just Live in the Bush”
  69. Artist's Involuntary Career Transition and Identity Interview
  70. Engaging First Peoples in Arts-Based Service Learning
  71. Why the where matters: A sense of place imperative for teaching better Indigenous affairs reporting
  72. First year engineering students: Perceptions of engineers and engineering work amongst domestic and international students
  73. Moments of becoming: experiences of embodied connection to place in arts-based service learning in Australia
  74. Threshold concepts in undergraduate engineering: Exploring engineering roles and value of learning
  75. The urgent need for career preview: Student expectations and graduate realities in music and dance
  76. Electronic portfolios and learner identity: an ePortfolio case study in music and writing
  77. Creative workers’ views on cultural heritage and sustainability
  78. Integrating community gardens into public parks: An innovative approach for providing ecosystem services in urban areas
  79. Creative Work Beyond the Creative Industries
  80. Aristotle and the ERA: Measuring the immeasurable
  81. Developing Creativities in Higher Music Education
  82. Open to interpretation
  83. Education research Australia: a changing ecology of knowledge and practice
  84. Education research in Australia: where is it conducted?
  85. Who is conducting educational research in Australia and how can their work be supported?
  86. Changing boundaries—Shifting identities: Strategic interventions to enhance the future of educational research in Australia
  87. Educational Research: the State of Sweden and the Australian 2.2 world
  88. Survival skills: the impact of change and the ERA on Australian researchers
  89. Excellence in Research for Australia Survey Questionnaire
  90. Life in the Real World: How to Make Music Graduates Employable
  91. Developing musical and educational identities in university music students
  92. The use of learner-generated drawings in the development of music students’ teacher identities
  93. Rethinking Success: Music in Higher Education
  94. How artists working in academia view artistic practice as research: Implications for tertiary music education
  95. CREATIVE WORKERS IN WESTERN AUSTRALIA: TOWARDS A RENEWED RESEARCH AGENDA
  96. Making and Managing Knowledge in the “New” Humanities: An Australian Experience
  97. Musicians as lifelong learners: discovery through biography
  98. State of play: Live original music venues in Western Australia
  99. The interface between arts practice and research: attitudes and perceptions of Australian artist‐academics
  100. Understanding the Classical Music Profession: The Past, the Present and Strategies for the Future
  101. Enabling artists who have moved away to be active agents in the cultural life of cities and regions
  102. Academy and the Real World: Developing realistic notions of career in the performing arts
  103. Careers in dance: Beyond performance to the real world of work
  104. A gendered study of the working patterns of classical musicians: implications for practice
  105. Careers and Contingencies
  106. Dancer or Dance Artist? Dance Careers and Identity
  107. Utopia for music performance graduates. Is it achievable, and how should it be defined?
  108. Introduction
  109. Introduction
  110. Creative artists or cultural practitioners? Holistic practice in Australia's cultural industries
  111. Musicians as teachers: developing a positive view through collaborative learning partnerships
  112. Looking inside the portfolio to understand the work of creative workers: a study of creatives in Perth
  113. Creative Teaching with Performing Arts Students: Developing Career Creativities through the Use of ePortfolios for Career Awareness and Resilience