All Stories

  1. Finding Joy in Artificial Experience
  2. The epistemologies of trust: conflicting worldviews in the “Trustworthy AI” discourse
  3. Finding Joy in Artificial Experience
  4. "A Shakespearean in the World: An Interview with Professor Alexa Alice Joubin," Wenshan Review 19.2 (2026): 323-354
  5. Theorizing Social Reparation
  6. The Art of Back-Translating
  7. Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the United States Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the United States . Melody Yunzi Li. Nonfiction. New ...
  8. The Shakespearean International Yearbook
  9. Trans Studies at the Crossroad
  10. Enhancing the Trustworthiness of Generative Artificial Intelligence in Responsive Pedagogy in the Context of Humanities Higher Education
  11. Radical Listening and the Global Politics of Inclusiveness. In Inclusive Shakespeares: Identity, Pedagogy, Performance, ed. Sonya Freeman Loftis, Mardy Philippian, Justin P. Shaw (Palgrave, 2023), pp. 221-234
  12. Screens as Anthropomorphic Interfaces: How AI Changes Shakespearean Theatrical Publics
  13. Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965Yu Zhang. Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965 . Nonfiction. Ann Arbor. Univers...
  14. The Shakespearean International Yearbook
  15. Contemporary Chinese Queer PerformanceHongwei Bao. Contemporary Chinese Queer Performance . Nonfiction. New York. Routledge. 2023. 170 pages. $170.00 USD. ISBN 9780367500245
  16. Collaborative Rhizomatic Learning and Global Shakespeares
  17. Translational Agency in Liang Shiqiu’s Vernacular Sonnets
  18. Radical Listening and the Global Politics of Inclusiveness: An Afterword
  19. Calvin Hui. The Art of Useless: Fashion, Media, and Consumer Culture in Contemporary China
  20. Local Habitations of A Midsummer Night’s Dream
  21. The Art of Useless: Fashion, Media, and Consumer Culture in Contemporary China By Calvin Hui. New York: Columbia University Press, 2021. 280 pp. ISBN: 9780231192491 (paper).
  22. Screening Anti-Asian Racism
  23. A Buddhist King Lear in Taipei: Lear Is Here by Wu Hsing-kuo 吳興國 (2001)
  24. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 by Shanghai Jingju Theatre Company (1995)
  25. An Operatic Macbeth in Shanghai: The Story of Bloody Hands by Huang Zuolin 黃佐臨 (1987 / 2008)
  26. Hamlet as Parody in Taipei: Shamlet by Lee Kuo-hsiu 李國修 (1992 / 2008)
  27. Introduction to Onscreen Allusions to Shakespeare
  28. Sinophone Shakespeare: A Critical Introduction
  29. Shakespeare as a Digital Nomad: An Afterword
  30. Onscreen Allusions to Shakespeare
  31. Afterword: Towards a regional methodology of culture
  32. 13. Performing Reparative Transgender Identities from Stage Beauty to The King and the Clown
  33. Five Things to Know about Global Shakespeare
  34. Shakespeare and Social Justice
  35. Margaret Hillenbrand. Negative Exposures: Knowing What Not to Know in Contemporary China
  36. Soviet Film and Theatre Adaptations of Shakespeare
  37. Comparative Analysis of Vocal Disability in The King's Speech and The Theory of Everything
  38. King Lear on the small screen and its pedagogical implications
  39. The ethics of adapting Shakespeare's plays in world cultures
  40. Race
  41. How knowledge about race is produced and circulated
  42. Slavery and race
  43. Introduction
  44. Pseudo-scientific markings of difference
  45. "Race in the World"
  46. Legislative, governmental, and judicial markings of difference
  47. Marking barbarians, Muslims, Jews, Ethiopians, Africans, Moors, or blacks
  48. Transforming Monkey: Adaptation and Representation of a Chinese Epic
  49. Ophelia in Tibetan, Indian and Korean Films
  50. How the UK and China Commemorated Shakespeare and Tang Xianzu in 2016
  51. Chinese Literature in Review
  52. Global Shakespeare Criticism beyond the Nation State
  53. How to study world-wide performances of Shakespeare that combine more than one cultural influence.
  54. Review of Synetic Theatre's production of The Taming of the Shrew
  55. Shakespearean Tragedies in East Asia
  56. Shakespeare, performance, film, ethics, cross-cultural appropriation, adaptation
  57. Shakespeare and the Ethics of Appropriation
  58. Global Shakespeare 2.0 and the Task of the Performance Archive
  59. Shakespeare and the Ethics of Appropriation