All Stories

  1. Finding Joy in Artificial Experience
  2. The epistemologies of trust: conflicting worldviews in the “Trustworthy AI” discourse
  3. Finding Joy in Artificial Experience
  4. Theorizing Social Reparation
  5. The Art of Back-Translating
  6. Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the United States Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the United States . Melody Yunzi Li. Nonfiction. New ...
  7. The Shakespearean International Yearbook
  8. Trans Studies at the Crossroad
  9. Enhancing the Trustworthiness of Generative Artificial Intelligence in Responsive Pedagogy in the Context of Humanities Higher Education
  10. Radical Listening and the Global Politics of Inclusiveness. In Inclusive Shakespeares: Identity, Pedagogy, Performance, ed. Sonya Freeman Loftis, Mardy Philippian, Justin P. Shaw (Palgrave, 2023), pp. 221-234
  11. Screens as Anthropomorphic Interfaces: How AI Changes Shakespearean Theatrical Publics
  12. Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965Yu Zhang. Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965 . Nonfiction. Ann Arbor. Univers...
  13. The Shakespearean International Yearbook
  14. Contemporary Chinese Queer PerformanceHongwei Bao. Contemporary Chinese Queer Performance . Nonfiction. New York. Routledge. 2023. 170 pages. $170.00 USD. ISBN 9780367500245
  15. Collaborative Rhizomatic Learning and Global Shakespeares
  16. Translational Agency in Liang Shiqiu’s Vernacular Sonnets
  17. Radical Listening and the Global Politics of Inclusiveness: An Afterword
  18. Calvin Hui. The Art of Useless: Fashion, Media, and Consumer Culture in Contemporary China
  19. Local Habitations of A Midsummer Night’s Dream
  20. The Art of Useless: Fashion, Media, and Consumer Culture in Contemporary China By Calvin Hui. New York: Columbia University Press, 2021. 280 pp. ISBN: 9780231192491 (paper).
  21. Screening Anti-Asian Racism
  22. A Buddhist King Lear in Taipei: Lear Is Here by Wu Hsing-kuo 吳興國 (2001)
  23. A Confucian King Lear in Shanghai: King Qi’s Dream 岐王夢 by Shanghai Jingju Theatre Company (1995)
  24. An Operatic Macbeth in Shanghai: The Story of Bloody Hands by Huang Zuolin 黃佐臨 (1987 / 2008)
  25. Hamlet as Parody in Taipei: Shamlet by Lee Kuo-hsiu 李國修 (1992 / 2008)
  26. Introduction to Onscreen Allusions to Shakespeare
  27. Sinophone Shakespeare: A Critical Introduction
  28. Shakespeare as a Digital Nomad: An Afterword
  29. Onscreen Allusions to Shakespeare
  30. Afterword: Towards a regional methodology of culture
  31. 13. Performing Reparative Transgender Identities from Stage Beauty to The King and the Clown
  32. Five Things to Know about Global Shakespeare
  33. Shakespeare and Social Justice
  34. Margaret Hillenbrand. Negative Exposures: Knowing What Not to Know in Contemporary China
  35. Soviet Film and Theatre Adaptations of Shakespeare
  36. Comparative Analysis of Vocal Disability in The King's Speech and The Theory of Everything
  37. King Lear on the small screen and its pedagogical implications
  38. The ethics of adapting Shakespeare's plays in world cultures
  39. Race
  40. How knowledge about race is produced and circulated
  41. Slavery and race
  42. Introduction
  43. Pseudo-scientific markings of difference
  44. "Race in the World"
  45. Legislative, governmental, and judicial markings of difference
  46. Marking barbarians, Muslims, Jews, Ethiopians, Africans, Moors, or blacks
  47. Transforming Monkey: Adaptation and Representation of a Chinese Epic
  48. Ophelia in Tibetan, Indian and Korean Films
  49. How the UK and China Commemorated Shakespeare and Tang Xianzu in 2016
  50. Chinese Literature in Review
  51. Global Shakespeare Criticism beyond the Nation State
  52. How to study world-wide performances of Shakespeare that combine more than one cultural influence.
  53. Review of Synetic Theatre's production of The Taming of the Shrew
  54. Shakespearean Tragedies in East Asia
  55. Shakespeare, performance, film, ethics, cross-cultural appropriation, adaptation
  56. Shakespeare and the Ethics of Appropriation
  57. Global Shakespeare 2.0 and the Task of the Performance Archive
  58. Shakespeare and the Ethics of Appropriation