What is it about?

While recording captures the raw performances, mixing is where metal music gets its signature heavy sound. This chapter introduces the concept of "sonic cartoons" - a way of understanding how metal producers create sounds that are more intense and exaggerated than what you'd hear in a live performance. Just like visual cartoons simplify and exaggerate features to create stronger emotional impact, metal mixing takes recorded instruments and voices and pushes them beyond realistic boundaries. Producers face a complex puzzle: metal music features extremely fast playing and instruments that compete for the same frequency ranges, yet the final mix must sound clear, powerful, and heavy. The solution involves removing unnecessary details and imperfections while dramatically amplifying the elements that contribute most to heaviness. Through detailed analysis of professional mixing techniques, the chapter reveals how producers create that "larger than life" sound by essentially turning recorded performances into sonic cartoons - simplified, enhanced versions that hit harder and feel heavier than the original recordings, creating the hyperrealistic aesthetic that defines modern metal.

Featured Image

Why is it important?

This chapter introduces "sonic cartoons" as an original theoretical framework for understanding audio production aesthetics, providing the first academic conceptualisation of how exaggeration and simplification function in metal mixing practices. This theoretical contribution extends beyond metal studies to offer insights relevant to broader audio production research and media studies. The timing is particularly significant as digital mixing tools have enabled unprecedented levels of sonic manipulation, yet the aesthetic principles guiding these choices have remained largely untheorised. The research addresses growing industry debates about "hyperrealistic" production and its impact on musical authenticity, providing analytical tools for understanding why certain aesthetic choices resonate with audiences. By documenting genre-specific mixing techniques that are typically shared only within professional networks, the chapter bridges the gap between practitioner knowledge and academic understanding. The sonic cartoons framework offers practical applications for audio engineering education and provides a foundation for comparative analysis across different musical genres, establishing new methodological approaches for studying the relationship between technology, aesthetics, and musical meaning.

Read the Original

This page is a summary of: Mixing and Mastering, July 2025, Taylor & Francis,
DOI: 10.4324/9781003325727-5.
You can read the full text:

Read

Contributors

The following have contributed to this page