What is it about?

Very simple sculpture occurs around the church and chapter-house facade, buildings which survive in remarkable completeness from the late twelfth century. The sculpture can be read as drawing the attention of the monks and lay brothers to the requirement of the Rule in places of public assemblies such as the chapter house and great court, and to the personal activity of prayer, in the chancel and nave.

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Why is it important?

It is important because it is so often said the Cistercians did not have sculpture, when they clearly did.

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This page is a summary of: Cistercian Sculpture: Kirkstall Abbey and Elland Church in the Twelfth Century, Yorkshire Archaeological Journal, August 2015, Taylor & Francis,
DOI: 10.1179/0084427615z.00000000050.
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