What is it about?
The dramaturgical aesthetic of recent postdramatic performance returns to medieval representational modes: an eye can be used as an ear, and vision can be orchestrated like the auditory space of simultaneous relations. Whether an immersive, site-specific, one-to-one, or digital/new media performance, such performance has no one point of view, no “one” in control; success or failure is largely determined by individual and collective will. Closing the loop means beginning, again, in non-Euclidian space.
Featured Image
Why is it important?
Contemporary culture tends to think of the Digital Age has heralding unprecedented ways of being human; this essay looks to the relationship between bodies, celestial space and aural medieval culture to formulate some parallels that are apparent when considering contemporary performance and culture.
Read the Original
This page is a summary of: The Art of the Loop: Analogy, Aurality, History, Performance, TDR/The Drama Review, March 2016, The MIT Press,
DOI: 10.1162/dram_a_00526.
You can read the full text:
Contributors
The following have contributed to this page