What is it about?
This article presents a case study of five interactive documentaries: Bear 71, A Short History of the Highrise, Pirate Fishing, Do Not Track and Párkinson, que tiemble el camino. The production of interactive documentary in online media as a journalistic format is tackled with a multidimensional approach which incorporates the product, the user’s perception and the author’s view.
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Why is it important?
The exploration of new formats in online media is linked to innovation and a contemporary response to the audiences, who are now able to interact, play and share in an environment favoured by mobile communication and the skills of the current society
Perspectives
Recent perspective about an interactive non-fiction format: stories from the real through interactive media
Jorge Vázquez-Herrero
Universidade de Santiago de Compostela
Read the Original
This page is a summary of: When media allow the user to interact, play and share: recent perspectives on interactive documentary, New Review of Hypermedia and Multimedia, September 2019, Taylor & Francis,
DOI: 10.1080/13614568.2019.1670270.
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Resources
Accepted Manuscript (Open Access)
You can download this version for free!
Bear 71
A webdoc/VRdoc from the National Film Board of Canada
Pirate Fishing
A gamified webdoc from Al Jazeera
A Short History of the Highrise
A webdoc from the National Film Board of Canada and The New York times
Do Not Track
A webdoc series from Upian, NFB, Arte and BR
Párkinson, que tiemble el camino
A gamified webdoc from RTVE
Contributors
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