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This essay examines the roles of women's lives in contemporary Turkey as ‘the work of sacrifice’ wherein tragedy and irony take place simultaneously. I will present one of the major Turkish female singers, Ajda Pekkan, articulating her relationship to womanhood as an endpoint on the continuum that represents the ‘Turkish women’. In contrast, I will assess the case of Konca Kuris, a Turkish Muslim feminist, who stands at the other end of the continuum, and explore her tragic death as a primary sacrifice. Western discourse has framed the ‘woman question’ in a way that problematizes secularisms and Islamic practices. This problematization will serve as the initial momentum to assign sacrifice as a notion that lies in between the object—secular Islam—and the subject—Turkish women—of analysis. Thus, ‘sacrifice’ will be explored as a performative notion, in order to understand, mediate and measure gender performativity in contemporary Turkey.

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This page is a summary of: The Work of Sacrifice: Framing gender politics, racialization and the significance of Islam in the lives of Ajda Pekkan and Konca Kuris, Women & Performance a journal of feminist theory, November 2007, Taylor & Francis,
DOI: 10.1080/07407700701621582.
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