What is it about?

This article challenges Spivak’s critique of French feminism by presenting the latter as a tool to theorize the diverse subjectivities of third world women through their operation in an intimate “ecto-patriarchal” space. Using Arundhati Roy’s novel The God of Small Things and Ismat Chughtai’s Urdu short story “Lihaaf,” I indicate their alignment with French feminism as they depict third world women gaining autonomy over their selves and thereby exceeding ethnocentric boundaries without negating their contextual specifications. I mainly argue that French feminism enables third world women to rethink their subjectivities by exceeding self-replicating patriarchal discourses that have historically silenced them through a symbolic clitoridectomy.

Featured Image

Read the Original

This page is a summary of: A Defense of the French Feminists: Countering Spivak’s Arguments in “French Feminism in an International Frame”, Critique Studies in Contemporary Fiction, October 2018, Taylor & Francis,
DOI: 10.1080/00111619.2018.1526774.
You can read the full text:

Read

Contributors

The following have contributed to this page