All Stories

  1. The Gendered Nature of Authorship in Music Psychology
  2. Audio features impact the semantic content of music-evoked thoughts
  3. Exploring the Influence of Music’s Semantic Associations on Autobiographical Memories
  4. Development of the Short Musical Affect Recognition Test (SMART)
  5. The Musical Meaning Inventory: Development and Validation of a State-Based Measure of Musical Meanings
  6. Rhythmic Structure, Working Memory Capacity, and Chunking in the Perception of Unfamiliar Long Rhythmic Cycles
  7. A Meta-Analysis of Music Emotion Recognition Studies
  8. Measure of Emotional Episodes with Music (MEEM): development and psychometric evaluation of a modular instrument
  9. The influence of consonance–dissonance contrasts on perceived pleasantness of concluding tonic chords in short chord sequences
  10. Rhythm Cycle Alignment Task (RCAT). Cross-Cultural Differences in Aligning to Long Rhythmic Cycles from North Indian Classical Music.
  11. A genre-specific structure of subjective feeling in music listening: What do qawwālī listeners feel?
  12. The Gendered Nature of Authorship in Music Psychology
  13. Personalisation and profiling using algorithms and not-so-popular Colombian music: goal-directed mechanisms in music emotion recognition
  14. The Effect of Rhythm Cycle Length, Cultural Familiarity, and Musicianship on Learning and Recall of North Indian Rhythmic Patterns
  15. The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise
  16. Influence of Memory and Chunking Strategies in the Perception of Culturally Unfamiliar Long Rhythmic Cycles.
  17. Discriminating Unfamiliar Long Rhythmic Cycles: Influence of Memory and Chunking
  18. Discriminating Unfamiliar Long Rhythmic Cycles: Influence of Memory and Chunking
  19. The Role of Cultural Familiarity, Musicianship and Explicit Learning in the Perception of Long Rhythmic Cycles.
  20. Major-minorness in tonal music: Evaluation of relative mode estimation using expert ratings and audio-based key-finding principles
  21. A Meta-Analysis of Music Emotion Recognition Studies
  22. Auditory affective priming: The role of trait anxiety and stimulus type
  23. Music as social surrogate? A qualitative analysis of older adults’ choices of music to alleviate loneliness
  24. The Effect of Rhythmic Cycle Length, Cultural Familiarity, and Musicianship on The Perception of North Indian Rhythmic Patterns.
  25. Gender, emotion regulation, and cognitive flexibility as predictors of depression, anxiety, and affect in healthy adults
  26. The Effect of Rhythmic Cycle Length, Cultural Familiarity, and Musicianship on The Perception of North Indian Rhythmic Patterns.
  27. What emotions does music express? Structure of affect terms in music using iterative crowdsourcing paradigm
  28. Prevalence of transparency and reproducibility-related research practices in music psychology (2017–2022)
  29. Episode model: The functional approach to emotional experiences of music
  30. The role of gender in emotional reactions elicited by music: Autonomic reactivity, facial expression, and self-reports
  31. Analysis of Audio
  32. Analysis of Scores and Performances
  33. Corpus Studies
  34. Empirical Music Research in the 21st Century
  35. History
  36. Introduction
  37. Methods and Research Design
  38. Music and Science
  39. Organising and Summarising Data
  40. Reflections, Challenges, and Future Prospects
  41. Reporting and Craftsmanship
  42. Sources of Information
  43. Statistical Analysis
  44. Prevalence of Transparent Research Practices in Psychology: A Cross-Sectional Study of Empirical Articles Published in 2022
  45. Dissonance and Pleasantness: Testing the Contrast Effect Using Short Chord Sequences
  46. The Role of Cultural Familiarity, Musicianship and Explicit Learning in the Perception of Long Rhythmic Cycles.
  47. Prevalence of transparent research practices in psychology: A cross-sectional study of empirical articles published in 2022
  48. Episode model: The functional approach to emotional experiences of music
  49. onsetsync: An R Package for Onset Synchrony Analysis
  50. Musical expertise better predictor of tension in harmonic intervals than psychoacoustics across North and South Indian listeners
  51. Major-minorness in Tonal music -- Evaluation of Relative Mode Estimation using Expert Ratings and Audio-Based Key-finding Principles
  52. Culture influences conscious appraisal of but not automatic aversion to acoustically rough musical intervals
  53. Emotional expression through musical cues: A comparison of production and perception approaches
  54. Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?
  55. Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening
  56. The role of population size in folk tune complexity
  57. An Interactive Approach to Emotional Expression Through Musical Cues
  58. Register impacts perceptual consonance through roughness and sharpness
  59. Music evokes fewer but more positive autobiographical memories than emotionally matched sound and word cues.
  60. The role of population size in folk tune complexity
  61. Online Data Collection in Auditory Perception and Cognition Research: Recruitment, Testing, Data Quality and Ethical Considerations
  62. Vigilance and social chills with music: Evidence for two types of musical chills.
  63. Being moved by listening to unfamiliar sad music induces reward‐related hormonal changes in empathic listeners
  64. Biology determines what sounds are unpleasant, but musical preference is culturally acquired
  65. Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners
  66. Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music
  67. The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords
  68. Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances.
  69. The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords
  70. Automatic Responses to Acoustically Rough Intervals: Evidence from a Word Evaluation task
  71. A Response to Michael Spitzer’s Commentary
  72. Everyday experience with music and musical training impact the pleasantness of consonance
  73. Musical dissonance influences the perception of emotional words
  74. Reaction Time Data in Music Cognition: Comparison of Pilot Data From Lab, Crowdsourced, and Convenience Web Samples
  75. Exposure impacts the pleasantness of consonance/dissonance but not its perceived tension
  76. Coupled whole-body rhythmic entrainment between two chimpanzees
  77. EmoteControl
  78. Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure
  79. Ambivalent Emotional Experiences of Art
  80. The role of hedonics in the Human Affectome
  81. The Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial Stimuli
  82. Suppressing the Chills: Effects of Musical Manipulation on the Chills Response
  83. How listening to music and engagement with other media provide a sense of belonging: An exploratory study of social surrogacy
  84. Towards a more explicit account of the transformation
  85. Music Communicates Affects, Not Basic Emotions – A Constructionist Account of Attribution of Emotional Meanings to Music
  86. Editorial: Music and the Functions of the Brain: Arousal, Emotions, and Pleasure
  87. Shared periodic performer movements coordinate interactions in duo improvisations
  88. Incremental comprehension of pitch relationships in written music: Evidence from eye movements
  89. Music and Emotions
  90. An Integrative Review of the Enjoyment of Sadness Associated with Music
  91. Age trends in musical preferences in adulthood: 3. Perceived musical attributes as intrinsic determinants of preferences
  92. Music-induced positive mood broadens the scope of auditory attention
  93. Group Rumination: Social Interactions Around Music in People with Depression
  94. Music and Its Inductive Power: A Psychobiological and Evolutionary Approach to Musical Emotions
  95. The Pleasure Evoked by Sad Music Is Mediated by Feelings of Being Moved
  96. Explaining the enjoyment of negative emotions evoked by the arts: The need to consider empathy and other underlying mechanisms of emotion induction
  97. Being Moved by Unfamiliar Sad Music Is Associated with High Empathy
  98. Expectancy-Violation and Information-Theoretic Models of Melodic Complexity
  99. Voice and movement as predictors of gesture types and physical effort in virtual object interactions of classical Indian singing
  100. Memorable Experiences with Sad Music—Reasons, Reactions and Mechanisms of Three Types of Experiences
  101. Mildly dissonant chords are preferred more than maximally consonant ones.
  102. Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation
  103. Music-induced changes in functional cerebral asymmetries
  104. Fifty shades of blue: Classification of music-evoked sadness
  105. It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons
  106. Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music
  107. Attitudes toward sad music are related to both preferential and contextual strategies.
  108. Single chords convey distinct emotions to listeners
  109. Semantic Computing of Moods Based on Tags in Social Media of Music
  110. Extramusical information contributes to emotions induced by music
  111. Extended music education enhances the quality of school life
  112. What makes music emotionally significant? Exploring the underlying mechanisms
  113. Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags
  114. A Review of Music and Emotion Studies: Approaches, Emotion Models, and Stimuli
  115. Universal and culture-specific factors in the recognition and performance of musical affect expressions.
  116. Review of Strong experiences with music: Music is much more than just music.
  117. Emotional expression in music: contribution, linearity, and additivity of primary musical cues
  118. Timbre and Affect Dimensions: Evidence from Affect and Similarity Ratings and Acoustic Correlates of Isolated Instrument Sounds
  119. Formulating a Revised Taxonomy for Modes of Listening
  120. Enhancing genre-based measures of music preference by user-defined liking and social tags
  121. Modeling Listeners’ Emotional Response to Music
  122. Who Enjoys Listening to Sad Music and Why?
  123. Finnish Centre of Excellence in interdisciplinary music research, Finland.
  124. Can sad music really make you sad? Indirect measures of affective states induced by music and autobiographical memories.
  125. Looking Beyond Genres: Identifying Meaningful Semantic Layers from Tags in Online Music Collections
  126. Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres
  127. The role of mood and personality in the perception of emotions represented by music
  128. Design and evaluation of prosody-based non-speech audio feedback for physical training application
  129. Generalizability and Simplicity as Criteria in Feature Selection: Application to Mood Classification in Music
  130. Music and emotion
  131. Measuring music-induced emotion
  132. AMP: Artist-based musical preferences derived from free verbal responses and social tags
  133. Measuring Music-Induced Emotion: A Comparison of Emotion Models, Personality Biases, and Intensity of Experiences
  134. Music and Emotion: Themes and Development
  135. Modeling musical attributes to characterize ensemble recordings using rhythmic audio features
  136. Biased emotional recognition in depression: Perception of emotions in music by depressed patients
  137. Biased Emotional Preferences in Depression: Decreased Liking of Angry and Energetic Music by Depressed Patients
  138. Semantic structures of timbre emerging from social and acoustic descriptions of music
  139. A comparison of the discrete and dimensional models of emotion in music
  140. Rhythmic engagement with music in infancy
  141. AnalysingEmotions inSchubert'sErlkönig:aComputationalApproach
  142. Leaping across Modalities: Speed Regulation Messages in Audio and Tactile Domains
  143. Full Reference Printed Image Quality: Measurement Framework and Statistical Evaluation
  144. Neural Discrimination of Nonprototypical Chords in Music Experts and Laymen: An MEG Study
  145. The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors
  146. Personality traits moderate the perception of music-mediated emotions
  147. Ingredients of emotional music: An overview of the features that contribute to emotions in music
  148. Exploring relationships between audio features and emotion in music
  149. Instrument Library (MUMS) Revised
  150. Framework for modeling visual printed image quality from the paper perspective
  151. A Matlab Toolbox for Music Information Retrieval
  152. Commentary on "Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction" by Emilia Gómez, and Perfecto Herrera
  153. Music cognition research amidst the boreal forest
  154. Perceived complexity of western and African folk melodies by western and African listeners
  155. Autocorrelation in meter induction: The role of accent structure
  156. The Role of Melodic and Temporal Cues in Perceiving Musical Meter.
  157. Statistical Features and Perceived Similarity of Folk Melodies
  158. Beatlestudies 1: Songwriting, Recording, and Style Change. Edited by Yrjo Heinonen, Tuomas Eerola, Jouni Koskimaki, Terhi Nurmesjarvi and John Richardson. University of Jyvaskyla Department of Music, 1998. Research Reports, 19. Beatlestudies 2: History...
  159. Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks
  160. Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioral, and Computational Approaches
  161. Self-Report Measures and Models
  162. Visualization in comparative music research
  163. Complexity
  164. Database Studies
  165. Melody Processing
  166. Similarity, Melodic
  167. An Investigation of Pre-Schoolers' Corporeal Synchronization with An External Timekeeper
  168. Chord Evaluation Scale