All Stories

  1. Audio features impact the semantic content of music-evoked thoughts
  2. Exploring the Influence of Music’s Semantic Associations on Autobiographical Memories
  3. Development of the Short Musical Affect Recognition Test (SMART)
  4. The Musical Meaning Inventory: Development and Validation of a State-Based Measure of Musical Meanings
  5. Rhythmic Structure, Working Memory Capacity, and Chunking in the Perception of Unfamiliar Long Rhythmic Cycles
  6. A Meta-Analysis of Music Emotion Recognition Studies
  7. Measure of Emotional Episodes with Music (MEEM): development and psychometric evaluation of a modular instrument
  8. The influence of consonance–dissonance contrasts on perceived pleasantness of concluding tonic chords in short chord sequences
  9. Rhythm Cycle Alignment Task (RCAT). Cross-Cultural Differences in Aligning to Long Rhythmic Cycles from North Indian Classical Music.
  10. A genre-specific structure of subjective feeling in music listening: What do qawwālī listeners feel?
  11. The Gendered Nature of Authorship in Music Psychology
  12. Personalisation and profiling using algorithms and not-so-popular Colombian music: goal-directed mechanisms in music emotion recognition
  13. The Effect of Rhythm Cycle Length, Cultural Familiarity, and Musicianship on Learning and Recall of North Indian Rhythmic Patterns
  14. The perception of tension in harmonic intervals across Indian and Western listeners: the roles of psychoacoustics and musical expertise
  15. Influence of Memory and Chunking Strategies in the Perception of Culturally Unfamiliar Long Rhythmic Cycles.
  16. Discriminating Unfamiliar Long Rhythmic Cycles: Influence of Memory and Chunking
  17. Discriminating Unfamiliar Long Rhythmic Cycles: Influence of Memory and Chunking
  18. The Role of Cultural Familiarity, Musicianship and Explicit Learning in the Perception of Long Rhythmic Cycles.
  19. Major-minorness in tonal music: Evaluation of relative mode estimation using expert ratings and audio-based key-finding principles
  20. A Meta-Analysis of Music Emotion Recognition Studies
  21. Auditory affective priming: The role of trait anxiety and stimulus type
  22. Music as social surrogate? A qualitative analysis of older adults’ choices of music to alleviate loneliness
  23. The Effect of Rhythmic Cycle Length, Cultural Familiarity, and Musicianship on The Perception of North Indian Rhythmic Patterns.
  24. Gender, emotion regulation, and cognitive flexibility as predictors of depression, anxiety, and affect in healthy adults
  25. The Effect of Rhythmic Cycle Length, Cultural Familiarity, and Musicianship on The Perception of North Indian Rhythmic Patterns.
  26. What emotions does music express? Structure of affect terms in music using iterative crowdsourcing paradigm
  27. Prevalence of transparency and reproducibility-related research practices in music psychology (2017–2022)
  28. Episode model: The functional approach to emotional experiences of music
  29. The role of gender in emotional reactions elicited by music: Autonomic reactivity, facial expression, and self-reports
  30. Analysis of Audio
  31. Analysis of Scores and Performances
  32. Corpus Studies
  33. Empirical Music Research in the 21st Century
  34. History
  35. Introduction
  36. Methods and Research Design
  37. Music and Science
  38. Organising and Summarising Data
  39. Reflections, Challenges, and Future Prospects
  40. Reporting and Craftsmanship
  41. Sources of Information
  42. Statistical Analysis
  43. Prevalence of Transparent Research Practices in Psychology: A Cross-Sectional Study of Empirical Articles Published in 2022
  44. Dissonance and Pleasantness: Testing the Contrast Effect Using Short Chord Sequences
  45. The Role of Cultural Familiarity, Musicianship and Explicit Learning in the Perception of Long Rhythmic Cycles.
  46. Prevalence of transparent research practices in psychology: A cross-sectional study of empirical articles published in 2022
  47. Episode model: The functional approach to emotional experiences of music
  48. onsetsync: An R Package for Onset Synchrony Analysis
  49. Musical expertise better predictor of tension in harmonic intervals than psychoacoustics across North and South Indian listeners
  50. Major-minorness in Tonal music -- Evaluation of Relative Mode Estimation using Expert Ratings and Audio-Based Key-finding Principles
  51. Culture influences conscious appraisal of but not automatic aversion to acoustically rough musical intervals
  52. Emotional expression through musical cues: A comparison of production and perception approaches
  53. Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?
  54. Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening
  55. The role of population size in folk tune complexity
  56. An Interactive Approach to Emotional Expression Through Musical Cues
  57. Register impacts perceptual consonance through roughness and sharpness
  58. Music evokes fewer but more positive autobiographical memories than emotionally matched sound and word cues.
  59. The role of population size in folk tune complexity
  60. Online Data Collection in Auditory Perception and Cognition Research: Recruitment, Testing, Data Quality and Ethical Considerations
  61. Vigilance and social chills with music: Evidence for two types of musical chills.
  62. Being moved by listening to unfamiliar sad music induces reward‐related hormonal changes in empathic listeners
  63. Biology determines what sounds are unpleasant, but musical preference is culturally acquired
  64. Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners
  65. Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music
  66. The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords
  67. Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances.
  68. The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords
  69. Automatic Responses to Acoustically Rough Intervals: Evidence from a Word Evaluation task
  70. A Response to Michael Spitzer’s Commentary
  71. Everyday experience with music and musical training impact the pleasantness of consonance
  72. Musical dissonance influences the perception of emotional words
  73. Reaction Time Data in Music Cognition: Comparison of Pilot Data From Lab, Crowdsourced, and Convenience Web Samples
  74. Exposure impacts the pleasantness of consonance/dissonance but not its perceived tension
  75. Coupled whole-body rhythmic entrainment between two chimpanzees
  76. EmoteControl
  77. Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure
  78. Ambivalent Emotional Experiences of Art
  79. The role of hedonics in the Human Affectome
  80. The Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial Stimuli
  81. Suppressing the Chills: Effects of Musical Manipulation on the Chills Response
  82. How listening to music and engagement with other media provide a sense of belonging: An exploratory study of social surrogacy
  83. Towards a more explicit account of the transformation
  84. Music Communicates Affects, Not Basic Emotions – A Constructionist Account of Attribution of Emotional Meanings to Music
  85. Editorial: Music and the Functions of the Brain: Arousal, Emotions, and Pleasure
  86. Shared periodic performer movements coordinate interactions in duo improvisations
  87. Incremental comprehension of pitch relationships in written music: Evidence from eye movements
  88. Music and Emotions
  89. An Integrative Review of the Enjoyment of Sadness Associated with Music
  90. Age trends in musical preferences in adulthood: 3. Perceived musical attributes as intrinsic determinants of preferences
  91. Music-induced positive mood broadens the scope of auditory attention
  92. Group Rumination: Social Interactions Around Music in People with Depression
  93. Music and Its Inductive Power: A Psychobiological and Evolutionary Approach to Musical Emotions
  94. The Pleasure Evoked by Sad Music Is Mediated by Feelings of Being Moved
  95. Explaining the enjoyment of negative emotions evoked by the arts: The need to consider empathy and other underlying mechanisms of emotion induction
  96. Being Moved by Unfamiliar Sad Music Is Associated with High Empathy
  97. Expectancy-Violation and Information-Theoretic Models of Melodic Complexity
  98. Voice and movement as predictors of gesture types and physical effort in virtual object interactions of classical Indian singing
  99. Memorable Experiences with Sad Music—Reasons, Reactions and Mechanisms of Three Types of Experiences
  100. Mildly dissonant chords are preferred more than maximally consonant ones.
  101. Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation
  102. Music-induced changes in functional cerebral asymmetries
  103. Fifty shades of blue: Classification of music-evoked sadness
  104. It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons
  105. Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music
  106. Attitudes toward sad music are related to both preferential and contextual strategies.
  107. Single chords convey distinct emotions to listeners
  108. Semantic Computing of Moods Based on Tags in Social Media of Music
  109. Extramusical information contributes to emotions induced by music
  110. Extended music education enhances the quality of school life
  111. What makes music emotionally significant? Exploring the underlying mechanisms
  112. Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags
  113. A Review of Music and Emotion Studies: Approaches, Emotion Models, and Stimuli
  114. Universal and culture-specific factors in the recognition and performance of musical affect expressions.
  115. Review of Strong experiences with music: Music is much more than just music.
  116. Emotional expression in music: contribution, linearity, and additivity of primary musical cues
  117. Timbre and Affect Dimensions: Evidence from Affect and Similarity Ratings and Acoustic Correlates of Isolated Instrument Sounds
  118. Formulating a Revised Taxonomy for Modes of Listening
  119. Enhancing genre-based measures of music preference by user-defined liking and social tags
  120. Modeling Listeners’ Emotional Response to Music
  121. Who Enjoys Listening to Sad Music and Why?
  122. Finnish Centre of Excellence in interdisciplinary music research, Finland.
  123. Can sad music really make you sad? Indirect measures of affective states induced by music and autobiographical memories.
  124. Looking Beyond Genres: Identifying Meaningful Semantic Layers from Tags in Online Music Collections
  125. Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres
  126. The role of mood and personality in the perception of emotions represented by music
  127. Design and evaluation of prosody-based non-speech audio feedback for physical training application
  128. Generalizability and Simplicity as Criteria in Feature Selection: Application to Mood Classification in Music
  129. Music and emotion
  130. Measuring music-induced emotion
  131. AMP: Artist-based musical preferences derived from free verbal responses and social tags
  132. Measuring Music-Induced Emotion: A Comparison of Emotion Models, Personality Biases, and Intensity of Experiences
  133. Music and Emotion: Themes and Development
  134. Modeling musical attributes to characterize ensemble recordings using rhythmic audio features
  135. Biased emotional recognition in depression: Perception of emotions in music by depressed patients
  136. Biased Emotional Preferences in Depression: Decreased Liking of Angry and Energetic Music by Depressed Patients
  137. Semantic structures of timbre emerging from social and acoustic descriptions of music
  138. A comparison of the discrete and dimensional models of emotion in music
  139. Rhythmic engagement with music in infancy
  140. AnalysingEmotions inSchubert'sErlkönig:aComputationalApproach
  141. Leaping across Modalities: Speed Regulation Messages in Audio and Tactile Domains
  142. Full Reference Printed Image Quality: Measurement Framework and Statistical Evaluation
  143. Neural Discrimination of Nonprototypical Chords in Music Experts and Laymen: An MEG Study
  144. The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors
  145. Personality traits moderate the perception of music-mediated emotions
  146. Ingredients of emotional music: An overview of the features that contribute to emotions in music
  147. Exploring relationships between audio features and emotion in music
  148. Instrument Library (MUMS) Revised
  149. Framework for modeling visual printed image quality from the paper perspective
  150. A Matlab Toolbox for Music Information Retrieval
  151. Commentary on "Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction" by Emilia Gómez, and Perfecto Herrera
  152. Music cognition research amidst the boreal forest
  153. Perceived complexity of western and African folk melodies by western and African listeners
  154. Autocorrelation in meter induction: The role of accent structure
  155. The Role of Melodic and Temporal Cues in Perceiving Musical Meter.
  156. Statistical Features and Perceived Similarity of Folk Melodies
  157. Beatlestudies 1: Songwriting, Recording, and Style Change. Edited by Yrjo Heinonen, Tuomas Eerola, Jouni Koskimaki, Terhi Nurmesjarvi and John Richardson. University of Jyvaskyla Department of Music, 1998. Research Reports, 19. Beatlestudies 2: History...
  158. Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks
  159. Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioral, and Computational Approaches
  160. Self-Report Measures and Models
  161. Visualization in comparative music research
  162. Complexity
  163. Database Studies
  164. Melody Processing
  165. Similarity, Melodic
  166. An Investigation of Pre-Schoolers' Corporeal Synchronization with An External Timekeeper
  167. Chord Evaluation Scale