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  1. Music evokes fewer but more positive autobiographical memories than emotionally matched sound and word cues.

    Article • Journal of Applied Research in Memory and Cognition, December 2021, American Psychological Association (APA)

    Kelly Jakubowski, Prof Tuomas Eerola

  2. Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances.

    Article • Psychomusicology Music Mind and Brain, December 2020, American Psychological Association (APA)

    Kelly Jakubowski, Prof Tuomas Eerola

  3. Everyday experience with music and musical training impact the pleasantness of consonance

    Article • Scientific Reports, May 2020, Springer Science + Business Media

    Dr Imre Lahdelma, Prof Tuomas Eerola

  4. Musical dissonance influences the perception of emotional words

    Article • Musicae Scientiae, March 2020, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  5. Exposure impacts the pleasantness of consonance/dissonance but not its perceived tension

    Article • December 2019, Center for Open Science

    Prof Tuomas Eerola, Dr Imre Lahdelma

  6. EmoteControl

    Article • September 2019, ACM (Association for Computing Machinery)

    Dr Annaliese Micallef Grimaud, Prof Tuomas Eerola

  7. The Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial Stimuli

    Article • Scientific Reports, December 2018, Springer Science + Business Media

    Prof Tuomas Eerola

  8. Towards a more explicit account of the transformation

    Article • Physics of Life Reviews, July 2018, Elsevier

    Prof Tuomas Eerola

  9. Shared periodic performer movements coordinate interactions in duo improvisations

    Article • Royal Society Open Science, February 2018, Royal Society Publishing

    Prof Tuomas Eerola, Martin Clayton

  10. An Integrative Review of the Enjoyment of Sadness Associated with Music

    Article • Physics of Life Reviews, November 2017, Elsevier

    Prof Tuomas Eerola

  11. Being Moved by Unfamiliar Sad Music Is Associated with High Empathy

    Article • Frontiers in Psychology, September 2016, Frontiers

    Prof Tuomas Eerola

  12. Expectancy-Violation and Information-Theoretic Models of Melodic Complexity

    Article • Empirical Musicology Review, July 2016, The Ohio State University Libraries

    Prof Tuomas Eerola

  13. Voice and movement as predictors of gesture types and physical effort in virtual object interactions of classical Indian singing

    Article • July 2016, ACM (Association for Computing Machinery)

    Prof Tuomas Eerola, Martin Clayton

  14. Memorable Experiences with Sad Music—Reasons, Reactions and Mechanisms of Three Types of Experiences

    Article • PLoS ONE, June 2016, PLOS

    Prof Tuomas Eerola

  15. Mildly dissonant chords are preferred more than maximally consonant ones.

    Article • i-Perception, June 2016, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  16. Genre-Adaptive Semantic Computing and Audio-Based Modelling for Music Mood Annotation

    Article • IEEE Transactions on Affective Computing, April 2016, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  17. Music-induced changes in functional cerebral asymmetries

    Article • Brain and Cognition, April 2016, Elsevier

    Prof Tuomas Eerola

  18. Fifty shades of blue: Classification of music-evoked sadness

    Article • Musicae Scientiae, February 2016, SAGE Publications

    Prof Tuomas Eerola

  19. It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons

    Article • Frontiers in Human Neuroscience, January 2016, Frontiers

    Prof Tuomas Eerola, Professor Thomas Jacobsen

  20. Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music

    Article • Empirical Musicology Review, September 2015, The Ohio State University Libraries

    Prof Tuomas Eerola, Dr Imre Lahdelma

  21. Attitudes toward sad music are related to both preferential and contextual strategies.

    Article • Psychomusicology Music Mind and Brain, January 2015, American Psychological Association (APA)

    Prof Tuomas Eerola

  22. Single chords convey distinct emotions to listeners

    Article • Psychology of Music, October 2014, SAGE Publications

    Dr Imre Lahdelma, Prof Tuomas Eerola

  23. Semantic Computing of Moods Based on Tags in Social Media of Music

    Article • IEEE Transactions on Knowledge and Data Engineering, October 2014, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  24. Extramusical information contributes to emotions induced by music

    Article • Psychology of Music, September 2013, SAGE Publications

    Prof Tuomas Eerola

  25. Extended music education enhances the quality of school life

    Article • Music Education Research, August 2013, Taylor & Francis

    Prof Tuomas Eerola

  26. What makes music emotionally significant? Exploring the underlying mechanisms

    Article • Psychology of Music, August 2013, SAGE Publications

    Prof Tuomas Eerola

  27. Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags

    Article • July 2013, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  28. A Review of Music and Emotion Studies: Approaches, Emotion Models, and Stimuli

    Article • Music Perception An Interdisciplinary Journal, February 2013, University of California Press

    Prof Tuomas Eerola

  29. Universal and culture-specific factors in the recognition and performance of musical affect expressions.

    Article • Emotion, January 2013, American Psychological Association (APA)

    Prof Tuomas Eerola

  30. Review of Strong experiences with music: Music is much more than just music.

    Article • Psychomusicology Music Mind and Brain, January 2013, American Psychological Association (APA)

    Prof Tuomas Eerola

  31. Emotional expression in music: contribution, linearity, and additivity of primary musical cues

    Article • Frontiers in Psychology, January 2013, Frontiers

    Prof Tuomas Eerola

  32. Timbre and Affect Dimensions: Evidence from Affect and Similarity Ratings and Acoustic Correlates of Isolated Instrument Sounds

    Article • Music Perception An Interdisciplinary Journal, September 2012, University of California Press

    Prof Tuomas Eerola

  33. Formulating a Revised Taxonomy for Modes of Listening

    Article • Journal of New Music Research, June 2012, Taylor & Francis

    Prof Tuomas Eerola

  34. Enhancing genre-based measures of music preference by user-defined liking and social tags

    Article • Psychology of Music, May 2012, SAGE Publications

    Prof Tuomas Eerola

  35. Modeling Listeners’ Emotional Response to Music

    Article • Topics in Cognitive Science, March 2012, Wiley

    Prof Tuomas Eerola

  36. Who Enjoys Listening to Sad Music and Why?

    Article • Music Perception An Interdisciplinary Journal, February 2012, University of California Press

    Prof Tuomas Eerola

  37. Finnish Centre of Excellence in interdisciplinary music research, Finland.

    Article • Psychomusicology Music Mind and Brain, January 2012, American Psychological Association (APA)

    Prof Tuomas Eerola

  38. Can sad music really make you sad? Indirect measures of affective states induced by music and autobiographical memories.

    Article • Psychology of Aesthetics Creativity and the Arts, January 2012, American Psychological Association (APA)

    Prof Tuomas Eerola

  39. Looking Beyond Genres: Identifying Meaningful Semantic Layers from Tags in Online Music Collections

    Article • December 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  40. Are the Emotions Expressed in Music Genre-specific? An Audio-based Evaluation of Datasets Spanning Classical, Film, Pop and Mixed Genres

    Article • Journal of New Music Research, December 2011, Taylor & Francis

    Prof Tuomas Eerola

  41. The role of mood and personality in the perception of emotions represented by music

    Article • Cortex, October 2011, Elsevier

    Prof Tuomas Eerola

  42. Design and evaluation of prosody-based non-speech audio feedback for physical training application

    Article • International Journal of Human-Computer Studies, October 2011, Elsevier

    Prof Tuomas Eerola

  43. Generalizability and Simplicity as Criteria in Feature Selection: Application to Mood Classification in Music

    Article • IEEE Transactions on Audio Speech and Language Processing, August 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  44. Music and emotion

    Article • Musicae Scientiae, July 2011, SAGE Publications

    Prof Tuomas Eerola

  45. Measuring music-induced emotion

    Article • Musicae Scientiae, July 2011, SAGE Publications

    Prof Tuomas Eerola

  46. AMP: Artist-based musical preferences derived from free verbal responses and social tags

    Article • July 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  47. Modeling musical attributes to characterize ensemble recordings using rhythmic audio features

    Article • May 2011, Institute of Electrical & Electronics Engineers (IEEE)

    Prof Tuomas Eerola

  48. Biased emotional recognition in depression: Perception of emotions in music by depressed patients

    Article • Journal of Affective Disorders, April 2011, Elsevier

    Prof Tuomas Eerola

  49. Semantic structures of timbre emerging from social and acoustic descriptions of music

    Article • EURASIP Journal on Audio Speech and Music Processing, January 2011, Springer Science + Business Media

    Prof Tuomas Eerola

  50. A comparison of the discrete and dimensional models of emotion in music

    Article • Psychology of Music, August 2010, SAGE Publications

    Prof Tuomas Eerola

  51. Rhythmic engagement with music in infancy

    Article • Proceedings of the National Academy of Sciences, March 2010, Proceedings of the National Academy of Sciences

    Prof Tuomas Eerola

  52. AnalysingEmotions inSchubert'sErlkönig:aComputationalApproach

    Article • Music Analysis, March 2010, Wiley

    Prof Tuomas Eerola

  53. Leaping across Modalities: Speed Regulation Messages in Audio and Tactile Domains

    Article • January 2010, Springer Science + Business Media

    Prof Tuomas Eerola

  54. Full Reference Printed Image Quality: Measurement Framework and Statistical Evaluation

    Article • Journal of Imaging Science and Technology, January 2010, Society for Imaging Science & Technology

    Prof Tuomas Eerola

  55. Neural Discrimination of Nonprototypical Chords in Music Experts and Laymen: An MEG Study

    Article • Journal of Cognitive Neuroscience, November 2009, The MIT Press

    Prof Tuomas Eerola

  56. The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors

    Article • January 2009, Springer Science + Business Media

    Prof Tuomas Eerola

  57. Personality traits moderate the perception of music-mediated emotions

    Article • Frontiers in Human Neuroscience, January 2009, Frontiers

    Prof Tuomas Eerola

  58. Ingredients of emotional music: An overview of the features that contribute to emotions in music

    Article • Frontiers in Human Neuroscience, January 2009, Frontiers

    Prof Tuomas Eerola

  59. Instrument Library (MUMS) Revised

    Article • Music Perception An Interdisciplinary Journal, February 2008, University of California Press

    Prof Tuomas Eerola

  60. A Matlab Toolbox for Music Information Retrieval

    Article • January 2008, Springer Science + Business Media

    Prof Tuomas Eerola

  61. Music cognition research amidst the boreal forest

    Article • Cognitive Processing, January 2007, Springer Science + Business Media

    Prof Tuomas Eerola

  62. Perceived complexity of western and African folk melodies by western and African listeners

    Article • Psychology of Music, July 2006, SAGE Publications

    Prof Tuomas Eerola

  63. Autocorrelation in meter induction: The role of accent structure

    Article • The Journal of the Acoustical Society of America, January 2006, Acoustical Society of America (ASA)

    Prof Tuomas Eerola

  64. The Role of Melodic and Temporal Cues in Perceiving Musical Meter.

    Article • Journal of Experimental Psychology Human Perception & Performance, January 2004, American Psychological Association (APA)

    Prof Tuomas Eerola

  65. Statistical Features and Perceived Similarity of Folk Melodies

    Article • Music Perception An Interdisciplinary Journal, March 2001, University of California Press

    Prof Tuomas Eerola

  66. Beatlestudies 1: Songwriting, Recording, and Style Change. Edited by Yrjo Heinonen, Tuomas Eerola, Jouni Koskimaki, Terhi Nurmesjarvi and John Richardson. University of Jyvaskyla Department of Music, 1998. Research Reports, 19. Beatlestudies 2: History...

    Article • Popular Music, January 2001, Cambridge University Press

    Prof Tuomas Eerola

  67. Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks

    Article • Cognition, July 2000, Elsevier

    Prof Tuomas Eerola

  68. Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioral, and Computational Approaches

    Article • Music Perception An Interdisciplinary Journal, December 1999, University of California Press

    Prof Tuomas Eerola

  69. Self-Report Measures and Models

    Article • July 1993, Oxford University Press (OUP)

    Prof Tuomas Eerola

  70. Visualization in comparative music research

    Article • Springer Science + Business Media

    Prof Tuomas Eerola

  71. Complexity

    Article • SAGE Publications

    Prof Tuomas Eerola

  72. Database Studies

    Article • SAGE Publications

    Prof Tuomas Eerola

  73. Melody Processing

    Article • SAGE Publications

    Prof Tuomas Eerola

  74. Similarity, Melodic

    Article • SAGE Publications

    Prof Tuomas Eerola

  75. An Investigation of Pre-Schoolers' Corporeal Synchronization with An External Timekeeper

    Article • American Psychological Association (APA)

    Prof Tuomas Eerola

  76. Chord Evaluation Scale

    Article • American Psychological Association (APA)

    Prof Tuomas Eerola, Dr Imre Lahdelma