All Stories

  1. Human Movement Datasets: An Interdisciplinary Scoping Review
  2. Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure
  3. Shared periodic performer movements coordinate interactions in duo improvisations
  4. Voice and movement as predictors of gesture types and physical effort in virtual object interactions of classical Indian singing
  5. Aksak Patterns and Entrained Interaction in Transylvanian Village Music
  6. Role, Status and Hierarchy in the Performance of North Indian Classical Music
  7. Pulse and Entrainment to Non-Isochronous Auditory Stimuli: The Case of North Indian Alap
  8. The Social and Personal Functions of Music in Cross-Cultural Perspective
  9. Automated Video Analysis of Interpersonal Entrainment in Indian Music Performance
  10. Music, Time & Place: Essays in Comparative Musicology by Martin Clayton
  11. Embodiment in Music Performance
  12. Entrainment, Ethnography and Musical Interaction
  13. Experience and Meaning in Music Performance
  14. Introduction
  15. Testing a Computational Model of Rhythm Perception Using Polyrhythmic Stimuli
  16. The social and personal functions of music in cross-cultural perspective
  17. What is Entrainment? Definition and applications in musical research
  18. The Cultural Study of Music
  19. Inter-group entrainment in Afro-Brazilian Congado ritual
  20. Musical Gestures
  21. Local Practice, Global Network
  22. Crossing Boundaries and Bridging Gaps: Thoughts on Relationships Between Ethnomusicology And Music Psychology
  23. Time in Indian Music
  24. Development techniques and processes
  25. Lay: tempo and rhythmic density
  26. Laykārī: Rhythmic Variation
  27. North Indian rhythmic organization in cross-cultural perspective
  28. Performance Practice and Rhythm in Hindustānī Music
  29. The bandiś
  30. Theoretical perspectives I: musical time in Indian cultural perspective
  31. Theoretical perspectives II: general theories of rhythm and metre
  32. Tāl in practice: quantitative, qualitative, and cyclic functions
  33. Tāl theory as a model of rhythmic organization
  34. Time, Gesture and Attention in a Khyāl Performance
  35. Communication in Indian raga performance
  36. The Cultural Study of Music
  37. Khyal: Classical Singing of North India
  38. A. H. Fox Strangways andThe Music of Hindostan: Revisiting Historical Field Recordings
  39. Le métre et le tāl dans la musique de l'inde du nord
  40. Free Rhythm: Ethnomusicology and the Study of Music Without Metre
  41. The time of music and the time of history