All Stories

  1. Computer music research at University of Padova
  2. Illuminating Music: Impact of Color Hue for Background Lighting on Emotional Arousal in Piano Performance Videos
  3. Technology-Enhanced Interaction with Cultural Heritage
  4. Verbal and Cross-Modal Ratings of Music: Validation and Application of an Icon-Based Rating Scale
  5. Musical games designed for full-body interaction in a large-scale responsive space.
  6. Stay True to the Sound of History: Philology, Phylogenetics and Information Engineering in Musicology
  7. Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering
  8. The "Good or Bad?" Game
  9. How >:( is Bizet? Icon ratings of music
  10. Bodily Interactions in Motion-Based Music Applications
  11. Tape music archives: from preservation to access
  12. Algorithms can Mimic Human Piano Performance: The Deep Blues of Music
  13. Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art
  14. An ATR-FTIR and ESEM study on magnetic tapes for the assessment of the degradation of historical audio recordings
  15. TheHarmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment
  16. Accessing Tape Music Documents on Mobile Devices
  17. Is Vivaldi smooth and takete? Non-verbal sensory scales for describing music qualities
  18. A conceptual framework for motion based music applications
  19. How experts evaluate computer-generated music performances?
  20. CaRo 2.0: An Interactive System for Expressive Music Rendering
  21. Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane
  22. Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music
  23. Incident Signal Power Comparison for Localization of Concurrent Multiple Acoustic Sources
  24. The challenge of preserving interactive sound art: a multi-level approach
  25. Musical Signal Processing
  26. Overview
  27. Pavarotti Sings Again: A Multidisciplinary Approach to the Active Preservation of the Audio Collection at theArena di Verona
  28. Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment
  29. Adaptive Time Delay Estimation Using Filter Length Constraints for Source Localization in Reverberant Acoustic Environments
  30. A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools
  31. Interactive Multimedia Installations:Towards a Model for Preservation
  32. The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control—The Case of the Sound Archive of the Arena di Verona
  33. A Multimodal Learning System for Individuals with Sensorial, Neuropsychological, and Relational Impairments
  34. On Evaluating Systems for Generating Expressive Music Performance: the Rencon Experience
  35. Preface: Special Issue on Creativity Rethinks Science
  36. The digital curation of ethnic music audio archives: from preservation to restoration
  37. Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the “Fondazione Arena di Verona”
  38. Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria
  39. Multiple acoustic sources localization using incident Signal Power comparison
  40. DAFX: Digital Audio Effects
  41. Time-Segment Processing
  42. Audio-Video Analysis of Musical Expressive Intentions
  43. Restoration of Audio Documents by Means of Extended Kalman Filter
  44. Ethnic music audio documents: From preservation to fruition
  45. Perceptual organization of affective and sensorial expressive intentions in music performance
  46. Audio Objects Access: Tools for the Preservation of the Cultural Heritage
  47. Listening the photos
  48. The restoration of low-quality audio recordings based on non-negative matrix factorization and perceptual assessment by means of the ebu mushra test method
  49. Toward an Audio Digital Library 2.0: Smash, a Social Music Archive of SHellac Phonographic Discs
  50. Audio–video biometric recognition for non-collaborative access granting
  51. Methodologies and tools for audio digital archives
  52. The Past Through the Future: A Hypermedia Model for Handling the Information Stored in the Audio Documents
  53. Toward an Action Based Metaphor for Gestural Interaction with Musical Contents
  54. Virtual performance, Actual gesture: A Web 2.0 system for expressive performance of music contents
  55. Digital Preservation and Access of Audio Heritage: A Case Study for Phonographic Discs
  56. Score-Independent Audio Features for Description of Music Expression
  57. Preface: Special Issue on the Future of Sound and Music Computing
  58. The Sound and Music Computing Field: Present and Future
  59. A Nonlinear Method for Stochastic Spectrum Estimation in the Modeling of Musical Sounds
  60. Music Expression Understanding Based on a Joint Semantic Space
  61. Communicating expressive intentions with a single piano note
  62. The MEGA Project: Analysis and Synthesis of Multisensory Expressive Gesture in Performing Art Applications
  63. Communicating expressiveness and affect in multimodal interactive systems
  64. Methodologies for Expressiveness Modelling of and for Music Performance
  65. Modeling and Control of Expressiveness in Music Performance
  66. Analysis and Modeling of Expressive Intentions in Music Performance
  67. Physically Informed Signal Processing Methods for Piano Sound Synthesis: A Research Overview
  68. An Abstract Control Space for Communication of Sensory Expressive Intentions in Music Performance
  69. Estimation of Time-Varying Parameters in Rule Systems for Music Performance
  70. Estimation of Parameters in Rule Systems for Expressive Rendering of Musical Performance
  71. ?Human Supervision and Control in Engineering and Music?
  72. Mathematics and Music
  73. Yesterday Sounds Tomorrow. Preservation at CSC
  74. Introduction: Preserving Electroacoustic Music
  75. Preserving Musical Cultural Heritage at MIRAGE
  76. Toward a Methodology for the Restoration of Electroacoustic Music
  77. Objective and Subjective Comparison of Audio Restoration Methods
  78. Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems
  79. Toward nonlinear wave digital filters
  80. The colour of music: Spectral characterisation of musical sounds filtered by a cochlear model
  81. Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance*
  82. Physically based sound modelling
  83. Pedal resonance effect simulation device for digital pianos
  84. Sonological models for timbre characterization*
  85. In Search of New Sounds
  86. Auditory modelling and self‐organizing neural networks for timbre classification
  87. Representations of Musical Signals
  88. Music score interpretation using a multilevel knowledge base
  89. A Tutorial on Digital Sound Synthesis Techniques
  90. Musica (musicae usitata scriptura idonee calculatoribus aptata): A language for the transcription of musical texts for computers
  91. Expressiveness in Music Performance
  92. Expressive morphing for interactive performance of musical scores
  93. Adding expressiveness to musical messages
  94. Sound authoring tools for future multimedia systems
  95. Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems