All Stories

  1. When the Computer Entered the Music Scene: The Collaboration between the Centro di Sonologia Computazionale and La Biennale di Venezia
  2. Computer music research at University of Padova
  3. Illuminating Music: Impact of Color Hue for Background Lighting on Emotional Arousal in Piano Performance Videos
  4. Technology-Enhanced Interaction with Cultural Heritage
  5. Verbal and Cross-Modal Ratings of Music: Validation and Application of an Icon-Based Rating Scale
  6. Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale
  7. Musical games designed for full-body interaction in a large-scale responsive space.
  8. Stay True to the Sound of History: Philology, Phylogenetics and Information Engineering in Musicology
  9. Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering
  10. The "Good or Bad?" Game
  11. How >:( is Bizet? Icon ratings of music
  12. Bodily Interactions in Motion-Based Music Applications
  13. Tape music archives: from preservation to access
  14. Algorithms can Mimic Human Piano Performance: The Deep Blues of Music
  15. Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art
  16. Elaborazione di segmenti temporali
  17. An ATR-FTIR and ESEM study on magnetic tapes for the assessment of the degradation of historical audio recordings
  18. TheHarmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment
  19. Accessing Tape Music Documents on Mobile Devices
  20. Is Vivaldi smooth and takete? Non-verbal sensory scales for describing music qualities
  21. A conceptual framework for motion based music applications
  22. How experts evaluate computer-generated music performances?
  23. CaRo 2.0: An Interactive System for Expressive Music Rendering
  24. Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane
  25. Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music
  26. Incident Signal Power Comparison for Localization of Concurrent Multiple Acoustic Sources
  27. The challenge of preserving interactive sound art: a multi-level approach
  28. Musical Signal Processing
  29. Overview
  30. Pavarotti Sings Again: A Multidisciplinary Approach to the Active Preservation of the Audio Collection at theArena di Verona
  31. Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment
  32. Adaptive Time Delay Estimation Using Filter Length Constraints for Source Localization in Reverberant Acoustic Environments
  33. A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools
  34. Interactive Multimedia Installations:Towards a Model for Preservation
  35. The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control—The Case of the Sound Archive of the Arena di Verona
  36. A Multimodal Learning System for Individuals with Sensorial, Neuropsychological, and Relational Impairments
  37. On Evaluating Systems for Generating Expressive Music Performance: the Rencon Experience
  38. Preface: Special Issue on Creativity Rethinks Science
  39. The digital curation of ethnic music audio archives: from preservation to restoration
  40. Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the “Fondazione Arena di Verona”
  41. Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria
  42. Multiple acoustic sources localization using incident Signal Power comparison
  43. DAFX: Digital Audio Effects
  44. Time-Segment Processing
  45. Audio-Video Analysis of Musical Expressive Intentions
  46. An algorithm that solves the problems of noise removal for audio restoration
  47. Ethnic music audio documents: From preservation to fruition
  48. Perceptual organization of affective and sensorial expressive intentions in music performance
  49. Audio Objects Access: Tools for the Preservation of the Cultural Heritage
  50. Listening the photos
  51. The restoration of low-quality audio recordings based on non-negative matrix factorization and perceptual assessment by means of the ebu mushra test method
  52. Toward an Audio Digital Library 2.0: Smash, a Social Music Archive of SHellac Phonographic Discs
  53. Audio–video biometric recognition for non-collaborative access granting
  54. Methodologies and tools for audio digital archives
  55. The Past Through the Future: A Hypermedia Model for Handling the Information Stored in the Audio Documents
  56. Toward an Action Based Metaphor for Gestural Interaction with Musical Contents
  57. Virtual performance, Actual gesture: A Web 2.0 system for expressive performance of music contents
  58. Digital Preservation and Access of Audio Heritage: A Case Study for Phonographic Discs
  59. Score-Independent Audio Features for Description of Music Expression
  60. Preface: Special Issue on the Future of Sound and Music Computing
  61. The Sound and Music Computing Field: Present and Future
  62. A Nonlinear Method for Stochastic Spectrum Estimation in the Modeling of Musical Sounds
  63. Music Expression Understanding Based on a Joint Semantic Space
  64. Communicating expressive intentions with a single piano note
  65. The MEGA Project: Analysis and Synthesis of Multisensory Expressive Gesture in Performing Art Applications
  66. Communicating expressiveness and affect in multimodal interactive systems
  67. Methodologies for Expressiveness Modelling of and for Music Performance
  68. Modeling and Control of Expressiveness in Music Performance
  69. Analysis and Modeling of Expressive Intentions in Music Performance
  70. Physically Informed Signal Processing Methods for Piano Sound Synthesis: A Research Overview
  71. An Abstract Control Space for Communication of Sensory Expressive Intentions in Music Performance
  72. Estimation of Time-Varying Parameters in Rule Systems for Music Performance
  73. Estimation of Parameters in Rule Systems for Expressive Rendering of Musical Performance
  74. ?Human Supervision and Control in Engineering and Music?
  75. Mathematics and Music
  76. Yesterday Sounds Tomorrow. Preservation at CSC
  77. Introduction: Preserving Electroacoustic Music
  78. Preserving Musical Cultural Heritage at MIRAGE
  79. Toward a Methodology for the Restoration of Electroacoustic Music
  80. Objective and Subjective Comparison of Audio Restoration Methods
  81. Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems
  82. Toward nonlinear wave digital filters
  83. The colour of music: Spectral characterisation of musical sounds filtered by a cochlear model
  84. Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance*
  85. Physically based sound modelling
  86. Pedal resonance effect simulation device for digital pianos
  87. Sonological models for timbre characterization*
  88. In Search of New Sounds
  89. Auditory modelling and self‐organizing neural networks for timbre classification
  90. Representations of Musical Signals
  91. Music score interpretation using a multilevel knowledge base
  92. A Tutorial on Digital Sound Synthesis Techniques
  93. Musica (musicae usitata scriptura idonee calculatoribus aptata): A language for the transcription of musical texts for computers
  94. Expressiveness in Music Performance
  95. Expressive morphing for interactive performance of musical scores
  96. Adding expressiveness to musical messages
  97. Sound authoring tools for future multimedia systems
  98. Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems