All Stories

  1. .A comparison between 2 Spanish historical novels and the Newgate Calendars and fiction
  2. Do American and British crime fiction have something in common with Spanish one?
  3. Barceló’s works warn us about the dangers of not working together as a species.
  4. colapso de las narrativas identitarias en Eva (2017) de Arturo Pérez-Reverte
  5. Combining Criminal Fiction, Child Maltreatment, PTSD, Voodoo, Feminism, Gothic, & the Metaphysical
  6. Las influencias internacionales de las novelas de espías en Pérez-Reverte
  7. “El rey recibe: Intertextualidad y Percepción de la Historia Reciente”
  8. police procedures and mythology go hand in hand in this exciting thriller
  9. Pérez-Reverte takes on Cervantes´s most famous short story in a unsettling contemporay setting
  10. Los perros duros no bailan. Much more than an easy reading and a tribute to Cervantes
  11. Most Pérez-Reverte´s male characters are minor compared to female ones
  12. A twenty-first century historical novel with a nineteenth-century flavor.
  13. Tu rostro con la marea: una tragedia con máscaras pero sin héroe
  14. Naturaleza casi muerta: Una novela negra de campus en clave pictórica y filosófica
  15. King Leonor of Castile, much more powerful than previously thought
  16. Female University professors and Detectives provide new venues in the detective novel genre.
  17. An imagined global community of graffitti painters is threatened by their leader´s darkes secret
  18. Empowering the Others through education in Por el Cielo y Mas Alla, by Carme Riera
  19. Even those who may seem weak and helpless can make a difference thanks to education
  20. El Código vital detrás de los espejos en “Con tal de no morir” de Vicente Molina Foix
  21. Barcelona, a city described by many authors as the place for crimes, corruption and detective work
  22. Tipologia do livro (Typology of book) - DOI: 10.5752/P.2237-8871.2014v15n23p208
  23. Appearances are deceiving, especially in times of Civil War
  24. Much more than a fairy tale Queen
  25. “El rey recibe: Intertextualidad y Percepción de la Historia Reciente”