What is it about?
This interdisciplinary chapter considers musical text and performance in their productive relation rather than opposition involving media studies, performance studies and ethnomusicology as methodological framework.
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Why is it important?
The chapter questions and tries to overcome dichotomies in the musicological discourse on musical performance by encouraging more nuanced and flexible categorizations, involving "performance script" as a cognitive schema triggered by the performers' agency.
Perspectives
I hope this chapter helps rethink the text/performance relation in musicology and overcome the dichotomy.
Dr Alessandro Cecchi
Universita degli Studi di Pisa
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This page is a summary of: Exploring the text-performance continuum in music, July 2022, Taylor & Francis,
DOI: 10.4324/9781003166139-9.
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