What is it about?
Addressed to qualitative researchers, artist-scholars, and activists committed to decolonization, cultural revitalization, and social justice, The Performative Power of Vocality (Routledge 2020) explores the non-verbal, non-semantic, non-discursive material and affective efficacy of vocality, with a particular focus on orally transmitted vocal traditions.
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Why is it important?
In response to the Truth and Reconciliation Commission Calls to Action addressed to researchers and educators, I seek to open a dialogical space inclusive and respectful of Indigenous ontologies, epistemologies, and methodologies. Drawing from my research collaboration with the Indigenous Advisory Committee formed for this project, and building upon the work of Vine Deloria Jr., Gregory Cajete, Linda Tuhiwai Smith, Shawn Wilson, Margaret Kovach, Manulani Aluli-Meyer, Jill Carter, Dylan Robinson, and Dolleen Manning, among other Indigenous scholars, I consider vocality from the multiplicity of perspectives offered by Indigenous and Western philosophy, sound and voice studies, musicology, ethnomusicology, performance studies, anthropology, sociology, phenomenology, cognitive science, physics, ecology, and biomedicine.
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This page is a summary of: Performance, Embodiment, and Vocality, December 2019, Taylor & Francis,
DOI: 10.4324/9780429340338-1.
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