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In recent years some of the best known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. How are these unpleasurable viewing experiences created? What do the directors believe they can achieve via the feel bad experience? How can we situate the films in intellectual history? Why should we watch, study and teach feel bad films? These questions are answered through analysis of films by directors such as Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine.

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This page is a summary of: The Feel-Bad Film, October 2015, Edinburgh University Press,
DOI: 10.3366/edinburgh/9780748697977.001.0001.
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