All Stories

  1. 5. Recoding Operational Images
  2. Contents
  3. Francesco Sticchi (2025). The Politics of Monstrous Figures in Contemporary Cinema: Witches, Zombies, and Cyborgs Re-Enchanting the Ends of the World
  4. David Dufresne’s Un Pays qui se tient sage (2020) and contemporary documentary activism
  5. From author films to operational images: French and francophone documentary practices in the new millennium
  6. Surrealist Transhumanism: Jean Rostand and Nicole Vedrès’s Aux frontières de l’homme
  7. On fire
  8. On the relation between Mallarmé's poetry and contemporary media theory
  9. La Présence de Mallarmé. Par Arild Michel Bakken
  10. LANDSCAPE MEMORIES
  11. Mallarmé’s Instruments: The Production of the Individu-Livre
  12. Bruno Dumont’s comic look: P’tit Quinquin (2014) as a social and ethical intervention
  13. The Feel-Bad Film
  14. Introduction
  15. Assault
  16. Unease
  17. Östlund’s Play – Between Assault and Unease
  18. Transgression, Transgression
  19. Conclusion
  20. Politics as form in Lars von Trier: a post-Brechtian reading
  21. The poetry of idiots: Siegrid Alnoy, Lars von Trier, and Bruno Dumont
  22. The Politics of Images
  23. Critique de Lübecker (2009): Community, Myth and Recognition in Twentieth Century French Literature and Thought
  24. Bruno Dumont’s Twentynine Palms: The avant-garde as tragedy?
  25. Lars von Trier's Dogville: A Feel-Bad Film
  26. THE POLITICS OF DESIRE IN PAUL NIZAN'S LA CONSPIRATION
  27. Sartre's Silence: Limits of Recognition in Why Write?
  28. The Dedramatization of Violence in Claire Denis's I Can't Sleep