All Stories

  1. David Dufresne’s Un Pays qui se tient sage (2020) and contemporary documentary activism
  2. From author films to operational images: French and francophone documentary practices in the new millennium
  3. Surrealist Transhumanism: Jean Rostand and Nicole Vedrès’s Aux frontières de l’homme
  4. On fire
  5. On the relation between Mallarmé's poetry and contemporary media theory
  6. La Présence de Mallarmé. Par Arild Michel Bakken
  7. LANDSCAPE MEMORIES
  8. Mallarmé’s Instruments: The Production of the Individu-Livre
  9. Bruno Dumont’s comic look: P’tit Quinquin (2014) as a social and ethical intervention
  10. The Feel-Bad Film
  11. Introduction
  12. Assault
  13. Unease
  14. Östlund’s Play – Between Assault and Unease
  15. Transgression, Transgression
  16. Conclusion
  17. Politics as form in Lars von Trier: a post-Brechtian reading
  18. The poetry of idiots: Siegrid Alnoy, Lars von Trier, and Bruno Dumont
  19. The Politics of Images
  20. Critique de Lübecker (2009): Community, Myth and Recognition in Twentieth Century French Literature and Thought
  21. Bruno Dumont’s Twentynine Palms: The avant-garde as tragedy?
  22. Lars von Trier's Dogville: A Feel-Bad Film
  23. THE POLITICS OF DESIRE IN PAUL NIZAN'S LA CONSPIRATION
  24. Sartre's Silence: Limits of Recognition in Why Write?
  25. The Dedramatization of Violence in Claire Denis's I Can't Sleep