Single, Long-Playing, and Compilation: The Formats of Audio and Amorousness in Nick Hornby'sHigh Fidelity

Mikko Keskinen
  • Critique Studies in Contemporary Fiction, October 2005, Taylor & Francis
  • DOI: 10.3200/crit.47.1.3-22

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http://dx.doi.org/10.3200/crit.47.1.3-22

The following have contributed to this page: Mikko Keskinen