What is it about?
This article describes the challenge of reattaching tape and small paper corrections that the author applied to her typescript.
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Why is it important?
By hinging the tape carriers and paper strips to the typescript, researchers can access previous states in the author's editorial process for this famous text.
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This page is a summary of: Cut and Tape: Marguerite Yourcenar’s Emendations to a Typescript of L’Œuvre au noir, Restaurator International Journal for the Preservation of Library and Archival Material, January 2017, De Gruyter,
DOI: 10.1515/res-2016-0006.
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