What is it about?

The large Jelling stone was placed somewhere very near to where it is now, outside the church and between the two mounds; the other stone has been brought here from elsewhere on the site. The large stone is taller than a man, three sided, with carving on two faces and lettering mainly on the third face. The carvings on one side are of a lion and a snake, and on the other side, a man with his arms spread, like Christ but without a cross. Around this pair of carved faces is an ornamental border; the faces are united by a 'hinge'. It is suggested the carvings mimic a diptych, and picture God the Father (lion) with God the Holy Spirit (snake) greeting Christ who is ascending to Heaven to rejoin them after his crucifixion and resurrection.

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Why is it important?

This carving dates from the late tenth century and it is the earliest scheme that I have examined that works like a Romanesque scheme. The teaching is well-displayed, learned and orthodox. It was probably designed by Ottonian clerics.

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This page is a summary of: The pictures on the greater Jelling stone, Danish Journal of Archaeology, January 2014, Taylor & Francis,
DOI: 10.1080/21662282.2014.929882.
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