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Discusses pros and cons of using ideas of free speech as the central plank along which to approach the relationship between literary modernism and the context of censorship in which it emerged. Considers difficulties of bringing detailed discussion of cultural context into significant relation with literary analysis.
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This page is a summary of: Obscene Modernism: Literary Censorship and Experiment, 1900–1940 / Prudes on the Prowl: Fiction and Obscenity in England, 1850 to the Present Day, Textual Practice, September 2014, Taylor & Francis,
DOI: 10.1080/0950236x.2014.964581.
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