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This article traces the diverse (and sometimes nefarious) activities of sexploitation production-distribution company Cambist Films, revealing its vital importance to historical developments in American independent cinema in the 1960s and 1970s.

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This page is a summary of: “More than Rutting Bodies”: Cambist Films, Quality Independents, and the “Lost” Films of George A. Romero, Journal of Popular Film and Television, April 2018, Taylor & Francis,
DOI: 10.1080/01956051.2017.1423018.
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