What is it about?
The present essay seeks to analyze a series of photographs by D’Amico that form part of this research. Starting from the idea of the nonexistence of a single form of lesbian desire, nor of a single form of representing it, I will linger over D’Amico’s need to think about subjectivity, to review it and reinscribe it in images that reflected dissident and destabilizing identities in the heteronormative visual imaginary.
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Why is it important?
It is one of the first works that exist about the Argentine photographer Alicia D'Amico from feminist art theory.
Perspectives
My research took a great job of cataloging the photographer's file. I'm still in this job
María Laura Rosa
Consejo Nacional de Investigaciones Científicas y Técnicas (Argentina)
Read the Original
This page is a summary of: Questions of Identity: Photographic Series by Alicia D’Amico, 1983–86, Art Journal, January 2019, Taylor & Francis,
DOI: 10.1080/00043249.2019.1598150.
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