What is it about?
Why do some colors in artworks feel more appealing than others? We systematically changed the overall color organization of paintings and photographs, while keeping their visual structure largely unchanged, and asked people which versions they preferred. We found that viewers generally favored the original or near-natural colors. Surprisingly, however, preference did not simply decrease as colors became less natural. Some strongly altered color arrangements became appealing again, especially in abstract artworks. Brain imaging with fNIRS further showed that these changing preferences were accompanied by systematic patterns of cortical activity. Together, the findings suggest that color aesthetics may reflect a balance between the appeal of naturalness and the attraction of novelty.
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Why is it important?
A common idea in color aesthetics is that we prefer colors that look harmonious, familiar, or close to those found in nature. Our results show that this is only part of the story. Aesthetic preference can also increase when colors depart substantially from their natural organization, suggesting that novelty and deviation can have aesthetic value of their own. This helps explain why artworks can be attractive not only when they feel coherent and natural, but also when they surprise or challenge our expectations. By linking these behavioral patterns with cortical responses, the study also provides a way to investigate aesthetic experience as a continuous and dynamic process rather than simply comparing “beautiful” and “unbeautiful” images.
Perspectives
What interested me most in this study was a simple contradiction: we often expect natural and harmonious colors to be beautiful, yet some of the most memorable artworks are compelling precisely because their colors feel strange, exaggerated, or unexpected. I wanted to see whether these two tendencies could coexist within the same experiment rather than treating naturalness and novelty as opposites. The results suggest that they can. For me, this opens a broader question in neuroaesthetics: aesthetic experience may not be driven by a single route toward beauty, but by multiple ways in which perception, expectation, and surprise interact over time.
Yu-Fan Li
Read the Original
This page is a summary of: Bold and natural: Cosine-tuned neural patterns of color orientation preference in visual artworks., Psychology of Aesthetics Creativity and the Arts, September 2026, American Psychological Association (APA),
DOI: 10.1037/aca0000903.
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