What is it about?
This article explores the role of recording studios in preserving the heritage of popular music. It examines how studios like Abbey Road have been turned into museums, while others have been lost or repurposed. Through interviews with German rock and metal producers, the study highlights their perspectives on the myths surrounding recording studios and the challenges of preserving them as heritage sites. The findings reveal that, while producers value their work, they often see the final music, rather than the studio, as the true legacy. The article offers insights into how the music industry and fans can rethink the preservation of music history.
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Why is it important?
This article offers a unique perspective by focusing on the voices of German rock and metal producers, an understudied group in popular music heritage research. It challenges romanticised ideas of recording studios as ‘magical’ places by presenting the producers’ pragmatic and often sceptical views on preserving studios as museums. The study is timely as digitisation continues to transform music production, raising questions about how to preserve cultural heritage in an industry where technology rapidly evolves. By emphasising the value of records over physical spaces, this research encourages a rethinking of how music history is documented and remembered, making it valuable for scholars, industry professionals, and music fans alike.
Read the Original
This page is a summary of: Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice, Popular Music, February 2021, Cambridge University Press,
DOI: 10.1017/s026114302100009x.
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