What is it about?

This article explores how metal music labels like 'Teutonic metal' are shaped by cultural and historical ideas about place and mythology. By working closely with renowned German record producer Karl Bauerfeind, the study examines how these labels influence the way metal albums are produced and perceived. It highlights how terms like 'Teutonic' evoke a sense of cultural identity and inspire specific production techniques that shape the sound of the music. The findings show how these labels are not just marketing tools but also part of how fans and musicians connect with the music, creating a shared sense of community and tradition.

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Why is it important?

This work is unique in combining record production analysis with the cultural and historical concepts of place and mythology in metal music. By focusing on the label 'Teutonic metal', it provides fresh insights into how imagined communities influence both the creative process and audience perceptions. The collaboration with Karl Bauerfeind, a key figure in German metal production, lends rare, industry-specific expertise to the study. The research is timely as globalisation prompts renewed interest in how local identities and traditions are preserved and marketed within a global music industry. This article contributes to our understanding of the complex interplay between culture, music, and production, offering value to scholars, producers, and fans alike.

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This page is a summary of: Teutonic Metal: Effects of Place- and Mythology-based Labels on Record Production, International Journal of the Sociology of Leisure, April 2021, Springer Science + Business Media,
DOI: 10.1007/s41978-021-00084-5.
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