All Stories

  1. Authenticity in the Design of Digital Heritage Applications
  2. Perception
  3. Colour Fragility
  4. Light source classification and colour change modelling for understanding and predicting pigments discolouration
  5. Tactile 3D-printed media interaction with the color surface features of paintings. The case of the Scream (1910?) painting
  6. Τhe effect of artificial lighting on both biophilic and human-centric design
  7. Architectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains
  8. Review and New Evidence on the Molluscan Purple Pigment Used in the Early Late Bronze Age Aegean Wall Paintings
  9. Advanced analytical investigation on degradation markers in wall paintings
  10. Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation
  11. The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia
  12. The effect of TiO2 component on the properties of acrylic and urea-aldehyde resins under accelerated ageing conditions
  13. A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy
  14. Micro FTIR imaging for the investigation of deteriorated organic binders in wall painting stratigraphies of different techniques and periods
  15. Improving FTIR imaging speciation of organic compound residues or their degradation products in wall painting samples, by introducing a new thin section preparation strategy based on cyclododecane pre-treatment
  16. Physicochemical characterization and provenance of colouring materials from Akrotiri-Thera in relation to their archaeological context and application
  17. Evaluation of the effect of six different paint cross section preparation methods on the performances of Fourier Transformed Infrared microscopy in attenuated total reflection mode
  18. Corrections to Special Issue on Art Conservation
  19. Lead pigments and related tools at Akrotiri, Thera, Greece. Provenance and application techniques
  20. Material Aspects of Icons. A Review on Physicochemical Studies of Greek Icons
  21. Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers
  22. Microanalytical investigation of degradation issues in Byzantine wall paintings
  23. Analytical study into El Greco’s baptism of Christ: clues to the genius of his palette
  24. Chapter 12 Diagnostic methodology for the examination of Byzantine frescoes and icons. Non-destructive investigation and pigment identification
  25. Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece