All Stories

  1. Methods and Workflows for Colour Change Modelling and Reconstruction
  2. Tools and Services for Colour Change Analysis and Sharing of Knowledge
  3. Authenticity in the Design of Digital Heritage Applications
  4. Perception
  5. Colour Fragility
  6. Light source classification and colour change modelling for understanding and predicting pigments discolouration
  7. Tactile 3D-printed media interaction with the color surface features of paintings. The case of the Scream (1910?) painting
  8. Τhe effect of artificial lighting on both biophilic and human-centric design
  9. Architectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains
  10. Review and New Evidence on the Molluscan Purple Pigment Used in the Early Late Bronze Age Aegean Wall Paintings
  11. Advanced analytical investigation on degradation markers in wall paintings
  12. Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation
  13. The identification of lac as a pigment in ancient Greek polychromy - The case of a Hellenistic oinochoe from Canosa di Puglia
  14. The effect of TiO2 component on the properties of acrylic and urea-aldehyde resins under accelerated ageing conditions
  15. A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy
  16. Micro FTIR imaging for the investigation of deteriorated organic binders in wall painting stratigraphies of different techniques and periods
  17. Improving FTIR imaging speciation of organic compound residues or their degradation products in wall painting samples, by introducing a new thin section preparation strategy based on cyclododecane pre-treatment
  18. Physicochemical characterization and provenance of colouring materials from Akrotiri-Thera in relation to their archaeological context and application
  19. Evaluation of the effect of six different paint cross section preparation methods on the performances of Fourier Transformed Infrared microscopy in attenuated total reflection mode
  20. Corrections to Special Issue on Art Conservation
  21. Lead pigments and related tools at Akrotiri, Thera, Greece. Provenance and application techniques
  22. Material Aspects of Icons. A Review on Physicochemical Studies of Greek Icons
  23. Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers
  24. Microanalytical investigation of degradation issues in Byzantine wall paintings
  25. Analytical study into El Greco’s baptism of Christ: clues to the genius of his palette
  26. Chapter 12 Diagnostic methodology for the examination of Byzantine frescoes and icons. Non-destructive investigation and pigment identification
  27. Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece