All Stories

  1. Losing the Power to Say “I”: Problems of Perspective in the Fiction of Daniel Davis Wood
  2. Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory
  3. The Pleasures of Unpleasure: Jacques Lacan and the Atheism Beyond the “Death of God”
  4. Review of *Backgazing: Reverse Time in Modernist Culture* by Paul Giles
  5. The Moral Economy of Sadie Jones’s The Snakes
  6. The Symbolism of Clothing: The Naked Truth About Jacques Lacan
  7. Prophetic Time and the End of Capitalism in Iain Pears's Stone's Fall
  8. The Scrambled Script: Contingency and Necessity in Iris Murdoch’s The Green Knight
  9. Hacking the Society of Control: The Fiction of Hari Kunzru
  10. Lacan the Absolute Charlatan
  11. Lacan the Mathematical Charlatan
  12. Lacan the Linguistic Charlatan
  13. Lacan the Ethical Charlatan
  14. Lacan the Scientific Charlatan
  15. Lacan the Master Charlatan
  16. Lacan the Charlatan
  17. Introduction
  18. Embodied Art: A Reading of A.S. Byatt’s ‘Body Art’
  19. Tim Winton and the ethics of the neighbour here and now
  20. “What Are Novelists For?” Atonement and the British Novel
  21. Dynamic tensions in A. S. Byatt’s “A Lamia in the Cévennes”
  22. Unraveling A. S. Byatt’s “Racine and the Tablecloth”
  23. Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet
  24. Gender, Power, and Satire in Will Self’s Cock and Bull
  25. The Morality Meme: Nietzsche and A Serious Man
  26. Fool That You Are: Subverting the Reader in Robbins'sHalf Asleep in Frog Pajamas
  27. On the Genealogy of Democracy : Reading Peter Carey’s Parrot and Olivier in America
  28. After the Victorians: The Historical Turning Point in McEwan's On Chesil Beach
  29. Metaphors for Poetry: Reflections on W. B. Yeats’s A Vision
  30. Reading Chuck Palahniuk
  31. The Pornography of Destruction: Performing Annihilation in The Dying Animal
  32. Be My Enemy for Friendship's Sake
  33. The Impression of a Deeper Darkness: Ian McEwan's Atonement
  34. The Mandatory Proxy
  35. That Which Exceeds
  36. Dostoevsky's The Double, Postmodernism, and the Neo-Baroque
  37. Dostoevsky: Expressions in Silence