All Stories

  1. Taking It to the Streets: Participatory Action Research Through Participatory Theatrical Dissemination
  2. Challenging Structures of Excessive Entitlement in Curricula, Teaching, and Learning Through Dialogic Engagement
  3. Challenging the Myths
  4. Decisions, Decisions
  5. Determining Our Efficacy and Impact
  6. Drinking Choices
  7. Entrances and Exits
  8. Mental Health Conversation Starters
  9. Mirror Theatre's Performance Processes
  10. Person-Centred Care
  11. Playbuilding as Arts-Based Research
  12. The State of the Art
  13. Underpinning Philosophies and Guiding Principles
  14. Dramatizing and Workshopping the Data
  15. Applying the Great Wheel Model to Articulate the Quality and Merits of "Chicago Butoh"
  16. Duoethnography: A Polytheoretical Approach to (Re)Storing, (Re)Storying the Meanings That One Gives
  17. Playbuilding and Social Change
  18. Shifting Perspectives and Practices: Mirror Theatre’s Stop/Start/Continue Evolution
  19. Thinking with others through improvising.
  20. Embodying Moral Discourses Through Arts-Based Methodologies: Poetry, Visual Arts, Movement, Sounds, and Performance
  21. Discusses how a poem about awaiting diagnosis can be presented in various ways.
  22. Surrender, Pedagogy Ambiguity, Research and Impossibility
  23. Heating Up Online Learning: Insights from a Collaboration Employing Arts Based Research/Pedagogy for an Adult Education, Online, Community Outreach Undergraduate Course
  24. Playbuilding as Qualitative Research
  25. Pressures
  26. Introduction
  27. Dares
  28. Distillation
  29. Funky Shirt
  30. Cattle Call
  31. The “M” Word
  32. I Expect
  33. Participatory Dissemination
  34. The Party
  35. Theorizing Curriculum Studies, Teacher Education, and Research through Duoethnographic Pedagogy
  36. Teaching through Duoethnography in Teacher Education and Graduate Curriculum Theory Courses
  37. Introduction: The Efficacy of Duoethnography in Teaching and Learning: A Return to its Roots
  38. Pioneering the Use of Video in Research and Pedagogy: A Currere of Media(tion)
  39. Duoethnography
  40. Responding to Our Muses: A Duoethnography on Becoming Writers
  41. Why Duoethnography: Thoughts on the Dialogues
  42. Drama as research: Realizing the potential of drama in education as a research methodology
  43. Interdisciplinary Reflective Practice through Duoethnography
  44. Forms of Practitioner Reflexivity
  45. Dialogic Interdisciplinary Self-Study Through the Practice of Duoethnography
  46. A Journey Toward Mutualist Teaching and Learning: A Collaborative Reflective Practice on Community Building and Democratic Classrooms
  47. Finding a Researcher’s and a Teacher’s Voice in a Plethora of Responsibilities: A Duoethnography on Administrivia
  48. Hidden and Null Curricula of Sexual Orientation
  49. Duoethnography
  50. Introduction
  51. Research Design
  52. Writing Duoethnographies
  53. A Living Method
  54. References and General Readings
  55. Temporal Insights, Placeholders, Stepping-stones, Milestones, and Epiphanies
  56. Steppingstones to Appreciating the Importance of Play in the Creative Act
  57. Adult Literacy … and the Children Shall Lead
  58. A Quest for a Theory and Practice of Authentic Assessment: An Arts-Based Approach
  59. Dependence Day
  60. Drama as Research: Realizing the Potential of Drama in Education as a Research Methodology
  61. Emergent Issues in Qualitative Research and Teacher Professional Development
  62. Cacophony and Fugue: pre‐service narratives create conversation about drama education
  63. Using Case Studies in Drama/Theatre Teacher Education: A Process of Bridge Building between Theory and Practice
  64. Adulthood ... lost Childhood... found?