All Stories

  1. Assessing practice-based research in the visual arts: a proposed new criterion
  2. Visualcy: the progenitor of literacy and numeracy
  3. A review of aesthetic theories and visual perception theories.
  4. The Drive to Draw: Perceptual Attention and Communicative Intention
  5. Drawing matters
  6. Egological meets ecological: Drawing aspects in perspective(s)
  7. A contemporary pedagogy of drawing
  8. The case for the primacy of visualcy within a neoliberal Artschool curriculum
  9. Drawing as central to visual arts pedagogy.
  10. Drawing explained as a language, using systemic-functional semiotics.
  11. Aesthetic cognitivism: Towards a concise case for doctoral research through practices in the visual arts
  12. Teaching drawing in art schools
  13. How drawing can enhance creativity in art students.
  14. Are portrait artists superior face recognizers? Limited impact of adult experience on face recognition ability.
  15. Drawing practice informed by perception and communication theories.
  16. Introduction
  17. INTERPRETING PICTURES: A SYSTEMIC-FUNCTIONAL SEMIOTIC MODEL FOR VISUAL IMAGERY
  18. Scratching the surface: Practice, personality, approaches to learning, and the acquisition of high-level representational drawing ability.
  19. Drawing on the right side of the brain: A voxel-based morphometry analysis of observational drawing
  20. Channels of vision and the poetics of drawing: Strategies for teaching
  21. Drawing and emerging research: The acquisition of experiential knowledge through drawing as a methodological strategy
  22. Multimodal Epistemologies
  23. Cain’s house task revisited and revived: Extending theory and methodology for quantifying drawing accuracy.
  24. A comparison between Chinese and European systems of geometry in drawings of landscape.
  25. Drivers of Creativity
  26. The Gendered Image
  27. Local processing enhancements associated with superior observational drawing are due to enhanced perceptual functioning, not weak central coherence
  28. Visual art and social structure: the social semiotics of relational art
  29. The social semiotic potential of gestural drawing
  30. Editorial statement to contextualize the papers from the Drawing Symposium held at Swansea Metropolitan University, 18 November 2011
  31. ‘Drawing: Land and Sky’, interview with Mary-Ann Kokoska on the occasion of her exhibition at the Elysium Gallery, Swansea
  32. Making an essay: Inclusive learning, a new assessment for visual learners
  33. On the structure of textual and visual dissertations
  34. Does Shape Constancy Relate to Drawing Ability? Two Failures to Replicate
  35. Relational Art as Social Semiotic
  36. Art students who cannot draw: Exploring the relations between drawing ability, visual memory, accuracy of copying, and dyslexia.
  37. Making Sense of Art
  38. An Art Pedagogy for a Changing Art world
  39. Beyond the horizon: future directions for the teaching of visual arts practice
  40. The multimodal matrix – a laboratory of devices: film and the Formalist legacy
  41. A review of Gray & Malins book, 'Visualising Research...'
  42. Perceptual Modes, Semiotic Codes, Social Mores: A Contribution towards a Social Semiotics of Drawing
  43. Review of book on digital art.
  44. Drawing as a means of ‘firing practice’, empowering students’ ways of seeing.
  45. Strategy for teaching drawing.