All Stories

  1. Gender representation in undergraduate music technology education: case studies from Aotearoa/New Zealand
  2. Lihou Across Space and Place: Sacred Islands and Multi-sited Archipelagic Connections in the English Channel
  3. Sacred Isles: Islands as Sites of Religious, Spiritual or Supernatural Exception
  4. Bic Runga’s Drive
  5. Sounding the Island: Representing Chikubu Island in Japanese traditional performing arts
  6. Sounding China through Western ears
  7. Island narratives in the making of Japan: The Kojiki in geocultural context
  8. Chinese toms in the making of the drum kit: Localization and exoticism
  9. Introduction
  10. Western Musical Elements in Japanese Koto Music: Affective Media in Sonic, Visual and Behavioural Context
  11. A history of sound, music, and performance in the Great War
  12. Composing Japanese musical modernity
  13. Resonances of chindon-ya: sounding space and sociality in contemporary Japan
  14. Beyond the Mainland: Okinawa, Palimpsestic Geography and Octogenarian Island Idols
  15. Islands of design: Reshaping land, sea and space
  16. Speculating
  17. The politics of popular music heritage
  18. Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7
  19. Tokyo vernacular: common spaces, local histories, found objects
  20. Japon. Teruhisa Fukuda, Maître de Shakuhachi. Offrande Musicale / Japan. Teruhisa Fukuda, Shakuhachi Master. Musical Offering. 2018. Archives internationals de musique populaire, Musée d'ethnographie de Genève, and Disques VDE-GALLO, MEG-AIMP CXV/ VDE-...
  21. North Meets South: Eisā and the Wrapping of Identity on Okinoerabu Island, Japan
  22. Triangulations
  23. A genealogy of creative governance
  24. Shelving (or setting aside) dispute while developing
  25. Single sovereignty but shared jurisdiction
  26. Status quo (or stalemate or standstill)
  27. Suppressing (or suspending) sovereignty
  28. Swapping and selling
  29. The Diaoyu/Senkaku islands saga
  30. The Revolution Will Not Be Televised: Protest Music after Fukushima by Noriko Manabe
  31. Music Video and Online Social Media: A Case Study of the Discourse around Japanese Imagery in the New Zealand Indie Scene
  32. Sakurajima: Maintaining an Island Essence
  33. Intimate Distance: Andean Music in Japan
  34. Anthem for Jersey: Music, Media and Politics in an Island Setting
  35. Global Glam and Popular Music
  36. Amami park and island tourism: Sea, land and islandness at a site of simulation
  37. Japanese popular music
  38. Editorial
  39. GORE GOLD GUITARS The Place of Country in New Zealand
  40. Chijin
  41. Chindon
  42. Daibyōshi
  43. Fuke-shakuhachi
  44. Futozao
  45. Hachijūgen
  46. Ikutagoto
  47. Kankara sanshin
  48. Nigenkin
  49. Ninaidaiko
  50. Reikin
  51. Ōkurauro
  52. Endangered language and popular music
  53. Bonshō
  54. Drum Travel: Ensemble Drumming Traditions on Kikaijima—Cultures, Histories, Islands
  55. ‘I'm not dead yet': a comparative study of indigenous language revitalization in the Isle of Man, Jersey and Guernsey
  56. Irish music
  57. Anmabue
  58. Wind bands and cultural identity in Japanese Schools
  59. ‘Shake, Rattle and Roll’: Responses to 3/11 – Constructing Community Through Music and the Music Industry
  60. Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa by Matt Gillan
  61. ‘Click, Play and Save’: The iGamelan as a Tool for Music-culture Sustainability
  62. Contemporary Approaches to Transcultural Music Research in Australia and New Zealand
  63. Old, New, Borrowed … : Hybridity in the Okinawan Guitarscape
  64. Le phénomène de revitalisation culturelle à Jersey : un exemple d'accompagnement symbolique à la mondialisation
  65. “The Group from the West”: Song, endangered language and sonic activism on Guernsey
  66. Writing Pop: Contemporary Approaches to Pop(ular) Music Studies
  67. The Gei of Geisha: Music, Identity and Meaning
  68. Drumming in the transcultural imagination: Taiko, Japan and community music making in Aotearoa/New Zealand
  69. A Modernist Traditionalist: Miyagi Michio, Transculturalism, and the Making of a Music Tradition
  70. ‘He Who Pays the Piper Calls the Tune:’ The Role of Organisations in Constructing, Developing and Maintaining Scottish Highland Bagpipe Culture in Otago, New Zealand
  71. ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform
  72. Recentring Asia
  73. Introduction
  74. Musical Moves and Transnational Grooves: Education, Transplantation and Japanese Taiko Drumming at the International Pacifi c College, New Zealand
  75. Kin
  76. Editorial Introduction
  77. Tokita, Alison McQueen and David W. Hughes, eds. 2008. The Ashgate Research Companion to Japanese Music. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp
  78. Voice-scapes: transl(oc)ating the performed voice in ethnomusicology
  79. Performing Japan
  80. Introduction
  81. 9. Recontextualizing Eisa: Transformations In Religious, Competition, Festival And Tourism Contexts
  82. Why Taiko? Understanding Taiko performance at New Zealand's first Taiko Festival
  83. Preliminary Material
  84. ‘Happy Diwali!’ Performance, Multicultural Soundscapes and Intervention in Aotearoa/New Zealand
  85. Tsugaru Shamisen : From Region to Nation (and Beyond) and Back Again
  86. Diwali Downunder: Transforming and Performing Indian Tradition in Aotearoa/New Zealand
  87. The koto: a traditional instrument in contemporary Japan
  88. Beyond (review)
  89. Preface
  90. The Garland Encyclopedia of World Music. Volume 7: East Asia: China, Japan, and Korea (review)
  91. Kiyomoto-bushi: Narrative Music of the Kabuki Theatre (review)
  92. Kokyū
  93. Sharing
  94. Japanese collections of traditional Japanese musical instruments: Presentation and representation
  95. The sounds ofMyūjikku.An exploration of concepts and classifications in Japanese Sound Aesthetics
  96. Koto Manufacture: The Instrument, Construction Process, and Aesthetic Considerations
  97. Lee Yang-Hee Kayagum collection
  98. A "Koto" by Any Other Name: Exploring Japanese Systems of Musical Instrument Classification
  99. A survey of present-day Japanese concepts and classifications of musical instruments
  100. Ethnomusicology: An Introduction
  101. splitting