All Stories

  1. Sounding China through Western ears
  2. Chinese toms in the making of the drum kit: Localization and exoticism
  3. A history of sound, music, and performance in the Great War
  4. Composing Japanese musical modernity
  5. Resonances of chindon-ya: sounding space and sociality in contemporary Japan
  6. Beyond the Mainland: Okinawa, Palimpsestic Geography and Octogenarian Island Idols
  7. Islands of design: Reshaping land, sea and space
  8. Speculating
  9. The politics of popular music heritage
  10. Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7
  11. Tokyo vernacular: common spaces, local histories, found objects
  12. Japon. Teruhisa Fukuda, Maître de Shakuhachi. Offrande Musicale / Japan. Teruhisa Fukuda, Shakuhachi Master. Musical Offering. 2018. Archives internationals de musique populaire, Musée d'ethnographie de Genève, and Disques VDE-GALLO, MEG-AIMP CXV/ VDE-...
  13. North Meets South: Eisā and the Wrapping of Identity on Okinoerabu Island, Japan
  14. Triangulations
  15. A genealogy of creative governance
  16. Shelving (or setting aside) dispute while developing
  17. Single sovereignty but shared jurisdiction
  18. Status quo (or stalemate or standstill)
  19. Suppressing (or suspending) sovereignty
  20. Swapping and selling
  21. The Diaoyu/Senkaku islands saga
  22. The Revolution Will Not Be Televised: Protest Music after Fukushima by Noriko Manabe
  23. Music Video and Online Social Media: A Case Study of the Discourse around Japanese Imagery in the New Zealand Indie Scene
  24. Sakurajima: Maintaining an Island Essence
  25. Intimate Distance: Andean Music in Japan
  26. Anthem for Jersey: Music, Media and Politics in an Island Setting
  27. Global Glam and Popular Music
  28. Amami park and island tourism: Sea, land and islandness at a site of simulation
  29. Japanese popular music
  30. Editorial
  31. GORE GOLD GUITARS The Place of Country in New Zealand
  32. Chijin
  33. Chindon
  34. Daibyōshi
  35. Fuke-shakuhachi
  36. Futozao
  37. Hachijūgen
  38. Ikutagoto
  39. Kankara sanshin
  40. Nigenkin
  41. Ninaidaiko
  42. Reikin
  43. Ōkurauro
  44. Endangered language and popular music
  45. Bonshō
  46. Drum Travel: Ensemble Drumming Traditions on Kikaijima—Cultures, Histories, Islands
  47. ‘I'm not dead yet': a comparative study of indigenous language revitalization in the Isle of Man, Jersey and Guernsey
  48. Irish music
  49. Anmabue
  50. Wind bands and cultural identity in Japanese Schools
  51. ‘Shake, Rattle and Roll’: Responses to 3/11 – Constructing Community Through Music and the Music Industry
  52. Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa by Matt Gillan
  53. ‘Click, Play and Save’: The iGamelan as a Tool for Music-culture Sustainability
  54. Contemporary Approaches to Transcultural Music Research in Australia and New Zealand
  55. Old, New, Borrowed … : Hybridity in the Okinawan Guitarscape
  56. Le phénomène de revitalisation culturelle à Jersey : un exemple d'accompagnement symbolique à la mondialisation
  57. “The Group from the West”: Song, endangered language and sonic activism on Guernsey
  58. Writing Pop: Contemporary Approaches to Pop(ular) Music Studies
  59. The Gei of Geisha: Music, Identity and Meaning
  60. Drumming in the transcultural imagination: Taiko, Japan and community music making in Aotearoa/New Zealand
  61. A Modernist Traditionalist: Miyagi Michio, Transculturalism, and the Making of a Music Tradition
  62. ‘He Who Pays the Piper Calls the Tune:’ The Role of Organisations in Constructing, Developing and Maintaining Scottish Highland Bagpipe Culture in Otago, New Zealand
  63. ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform
  64. Recentring Asia
  65. Introduction
  66. Musical Moves and Transnational Grooves: Education, Transplantation and Japanese Taiko Drumming at the International Pacifi c College, New Zealand
  67. Kin
  68. Editorial Introduction
  69. Tokita, Alison McQueen and David W. Hughes, eds. 2008. The Ashgate Research Companion to Japanese Music. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp
  70. Voice-scapes: transl(oc)ating the performed voice in ethnomusicology
  71. Performing Japan
  72. Introduction
  73. 9. Recontextualizing Eisa: Transformations In Religious, Competition, Festival And Tourism Contexts
  74. Why Taiko? Understanding Taiko performance at New Zealand's first Taiko Festival
  75. Preliminary Material
  76. ‘Happy Diwali!’ Performance, Multicultural Soundscapes and Intervention in Aotearoa/New Zealand
  77. Tsugaru Shamisen : From Region to Nation (and Beyond) and Back Again
  78. Diwali Downunder: Transforming and Performing Indian Tradition in Aotearoa/New Zealand
  79. The koto: a traditional instrument in contemporary Japan
  80. Beyond (review)
  81. Preface
  82. The Garland Encyclopedia of World Music. Volume 7: East Asia: China, Japan, and Korea (review)
  83. Kiyomoto-bushi: Narrative Music of the Kabuki Theatre (review)
  84. Kokyū
  85. Sharing
  86. Japanese collections of traditional Japanese musical instruments: Presentation and representation
  87. The sounds ofMyūjikku.An exploration of concepts and classifications in Japanese Sound Aesthetics
  88. Koto Manufacture: The Instrument, Construction Process, and Aesthetic Considerations
  89. Lee Yang-Hee Kayagum collection
  90. A "Koto" by Any Other Name: Exploring Japanese Systems of Musical Instrument Classification
  91. A survey of present-day Japanese concepts and classifications of musical instruments
  92. Ethnomusicology: An Introduction
  93. splitting