All Stories

  1. Alchemization of Scrap Fabrics Narratives: From Small Ateliers, Off-Cuts, Threads, and Forgotten Scraps to Practical Creations of Textile Artifacts
  2. In the Quiet Hum of Small Ateliers, Off-Cuts, Threads, and Forgotten Scraps Whisper Their Untold Stories
  3. Waste-to-Art Pedagogy as an Educational Model for Strengthening Practical Skills Acquisition among Fine Art Students
  4. Reimagining Waste: Adam Saeed’s “Contexts to Flurry” and the Aesthetics of Sustainability
  5. Sociological exploration of the perceptions behind the idealism of sculpture creations and spiritual criminality in south-western part of Nigeria
  6. Ananse Ntentan and the Code of Minimalism: Scrutinizing Sculptural Thread Art Through Spider Web-Inspired Artworks
  7. Sports-inspired art: Immortalising athleticism and societal impacts of sport heroes in Ghana
  8. Investigating the connection between sculpture productions and criminal behaviours of ghanaian sculpture users through the perspective of labelling theory
  9. Transforming Discarded Denim into Interior Art Through Box Furniture Design
  10. Exploring the sustainability strategies of crime-sculpture nexus in ghana through the sociological interpretivist approach
  11. Interdisciplinary Research in Social Sciences and Humanities: Bridging Methodologies and Theoretical Perspectives
  12. Artistic Use of Compositional Variations of Waste Wood
  13. Exploring the role of project-based learning in higher education to promote indigenous knowledge through sculpture students’ engagement with Ghanaian Adinkra symbols
  14. Cultural heritage management of outdoor concrete statues
  15. Symbols and Metaphors of Ceramic Sculpture Receptacles
  16. From Earth to Art: Repurposing Clay Residues into Ephemeral Clay Sculptures of Organic Art and Styles
  17. From Earth to Art: Repurposing Clay Residues into Ephemeral Clay Sculptures of Organic Art and Styles
  18. Sculpture, circular economy and ecological reflections: redefining waste through sustainable art in Ghana
  19. Sustainability production in natural leather art: Evidence-based studio practices and techniques for leather phone cases
  20. Fabrication of a Prosthetic Socket for a Transtibial Amputee
  21. Thinking through Environmental Sustainability of Waste Plastic Bottles: A Creative Art Approach
  22. Artifacts from the Perspective of Effutu Masquerade Performance: An Aesthetic Album
  23. Aesthetic Potting of Plant Sculpture (Topiary) at the Faculty of Applied Arts and Technology's Car Park, TTU-Ghana
  24. Assessment of “The Serious Learner” Outdoor Concrete Statue in TTU, Ghana: A Restoration Process (Before and After)
  25. Traditional Beliefs and Practices in Masquerading: Effutu Context
  26. Investigating the Documentation and Conservation Process of Outdoor Artworks in Ghana
  27. Art and the Object Materiality: A Reflexive Approach to Aluminium Scrap in Statue Production
  28. Proverbial Akan Nexus of Micah’s Three-Female Terracotta Sculptures
  29. PLASTIC WASTE AND ITS ARTISTIC CONTEXT