All Stories

  1. Reimagining Waste: Adam Saeed’s “Contexts to Flurry” and the Aesthetics of Sustainability
  2. Sociological exploration of the perceptions behind the idealism of sculpture creations and spiritual criminality in south-western part of Nigeria
  3. Ananse Ntentan and the Code of Minimalism: Scrutinizing Sculptural Thread Art Through Spider Web-Inspired Artworks
  4. Sports-inspired art: Immortalising athleticism and societal impacts of sport heroes in Ghana
  5. Investigating the connection between sculpture productions and criminal behaviours of ghanaian sculpture users through the perspective of labelling theory
  6. Transforming Discarded Denim into Interior Art Through Box Furniture Design
  7. Exploring the sustainability strategies of crime-sculpture nexus in ghana through the sociological interpretivist approach
  8. Interdisciplinary Research in Social Sciences and Humanities: Bridging Methodologies and Theoretical Perspectives
  9. Artistic Use of Compositional Variations of Waste Wood
  10. Exploring the role of project-based learning in higher education to promote indigenous knowledge through sculpture students’ engagement with Ghanaian Adinkra symbols
  11. Cultural heritage management of outdoor concrete statues
  12. Symbols and Metaphors of Ceramic Sculpture Receptacles
  13. From Earth to Art: Repurposing Clay Residues into Ephemeral Clay Sculptures of Organic Art and Styles
  14. From Earth to Art: Repurposing Clay Residues into Ephemeral Clay Sculptures of Organic Art and Styles
  15. Sculpture, circular economy and ecological reflections: redefining waste through sustainable art in Ghana
  16. Sustainability production in natural leather art: Evidence-based studio practices and techniques for leather phone cases
  17. Fabrication of a Prosthetic Socket for a Transtibial Amputee
  18. Thinking through Environmental Sustainability of Waste Plastic Bottles: A Creative Art Approach
  19. Artifacts from the Perspective of Effutu Masquerade Performance: An Aesthetic Album
  20. Aesthetic Potting of Plant Sculpture (Topiary) at the Faculty of Applied Arts and Technology's Car Park, TTU-Ghana
  21. Assessment of “The Serious Learner” Outdoor Concrete Statue in TTU, Ghana: A Restoration Process (Before and After)
  22. Traditional Beliefs and Practices in Masquerading: Effutu Context
  23. Investigating the Documentation and Conservation Process of Outdoor Artworks in Ghana
  24. Art and the Object Materiality: A Reflexive Approach to Aluminium Scrap in Statue Production
  25. Proverbial Akan Nexus of Micah’s Three-Female Terracotta Sculptures
  26. PLASTIC WASTE AND ITS ARTISTIC CONTEXT