All Stories

  1. Fascinating Rhythm. The Screenwriting of Sound Symphonies for American and European Film of the 1930s
  2. The Aesthetics of Early Sound Film: Media Change around 1930
  3. Screenwriting sound and music: Towards a new field of study
  4. Narrating with Music: Screenwriting Musical Numbers
  5. The Palgrave Handbook of Screenwriting Studies
  6. When Music Takes Over in Film
  7. The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema
  8. Introduction
  9. Roundtable: Pushing the boundaries of the Screenwriting Research Network
  10. Drehbuchforschung
  11. ReFocus: the films of Paul Leni
  12. The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019)
  13. The Screenplay as a Means of Communication: The Case of Notorious
  14. Screening transcendence: film under Austrofascism and the Hollywood hope 1933-1938
  15. Musical numbers in silent and early sound films
  16. Musical moments and numbers in Austrian silent cinema
  17. A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks
  18. Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch
  19. Musik im Film, Musik für den Film: Analysefelder und Methoden
  20. Walter Reisch: The musical writer
  21. Music and Sound in Silent Film: From the Nickelodeon to The Artist
  22. Reviews
  23. Reviews
  24. “Os sons dos filmes mudos”: Uma entrevista com Claus Tieber e Anna K. Windisch
  25. ‘Screenwriting: Between artistic freedom and norms’, 9th SRN Conference, Leeds Beckett University/University of Leeds, UK, 8–10 September 2016
  26. Musik im Film, Musik für den Film: Analysefelder und Methoden
  27. SInging in Silent Cinema
  28. Analysis of screenplay developement for Grand Hotel (1932)
  29. Book review: Flickers of Desire: movie stars of the 1910s
  30. Mary Pickford, Queen of the Movies
  31. The Sounds of Silent Films
  32. The Sound of Music in Vienna’s Cinemas, 1910–1930
  33. Introduction: ‘The Birth of Cinema from the Spirit of Music’
  34. Review of The American Success Myth
  35. Left of Hollywood: cinema, modernism and the emergence of US radical film culture
  36. Zur Inszenierung der Stimme
  37. Musik im Hindifilm zwischen Narration und Reflexion
  38. Das europäische Studiosystem. Traum und Wirklichkeit
  39. Epics, Spectacles, and Blockbusters: a Hollywood history
  40. The Way He Wrote: Dalton Trumbo and Sixteen Unused Pages forThe Way We Were
  41. The Fun Factory: the Keystone Film Company and the emergence of mass culture
  42. Aus der Rolle fallen. Zum Stilmittel des Aparte in Film und Fernsehen
  43. Introduction
  44. The Sound of Music in Vienna’s Cinemas, 1910–1930
  45. Slumdogs, Coolies and Gangsters: Amitabh Bachchan and the Legacy of 1970s Bollywood in Slumdog Millionaire