All Stories

  1. Screenwriting in French Cinema, Sarah Leahy and Isabelle Vanderschelden (2021)
  2. Fascinating Rhythm. The Screenwriting of Sound Symphonies for American and European Film of the 1930s
  3. The Aesthetics of Early Sound Film: Media Change around 1930
  4. Screenwriting sound and music: Towards a new field of study
  5. Narrating with Music: Screenwriting Musical Numbers
  6. The Palgrave Handbook of Screenwriting Studies
  7. When Music Takes Over in Film
  8. The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema
  9. Introduction
  10. Roundtable: Pushing the boundaries of the Screenwriting Research Network
  11. Drehbuchforschung
  12. ReFocus: the films of Paul Leni
  13. The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019)
  14. The Screenplay as a Means of Communication: The Case of Notorious
  15. Screening transcendence: film under Austrofascism and the Hollywood hope 1933-1938
  16. Musical numbers in silent and early sound films
  17. Musical moments and numbers in Austrian silent cinema
  18. A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks
  19. Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch
  20. Musik im Film, Musik für den Film: Analysefelder und Methoden
  21. Walter Reisch: The musical writer
  22. Music and Sound in Silent Film: From the Nickelodeon to The Artist
  23. Reviews
  24. Reviews
  25. “Os sons dos filmes mudos”: Uma entrevista com Claus Tieber e Anna K. Windisch
  26. ‘Screenwriting: Between artistic freedom and norms’, 9th SRN Conference, Leeds Beckett University/University of Leeds, UK, 8–10 September 2016
  27. Musik im Film, Musik für den Film: Analysefelder und Methoden
  28. SInging in Silent Cinema
  29. Analysis of screenplay developement for Grand Hotel (1932)
  30. Book review: Flickers of Desire: movie stars of the 1910s
  31. Mary Pickford, Queen of the Movies
  32. The Sounds of Silent Films
  33. The Sound of Music in Vienna’s Cinemas, 1910–1930
  34. Introduction: ‘The Birth of Cinema from the Spirit of Music’
  35. Review of The American Success Myth
  36. Left of Hollywood: cinema, modernism and the emergence of US radical film culture
  37. Zur Inszenierung der Stimme
  38. Musik im Hindifilm zwischen Narration und Reflexion
  39. Das europäische Studiosystem. Traum und Wirklichkeit
  40. Epics, Spectacles, and Blockbusters: a Hollywood history
  41. The Way He Wrote: Dalton Trumbo and Sixteen Unused Pages forThe Way We Were
  42. The Fun Factory: the Keystone Film Company and the emergence of mass culture
  43. Aus der Rolle fallen. Zum Stilmittel des Aparte in Film und Fernsehen
  44. Introduction
  45. The Sound of Music in Vienna’s Cinemas, 1910–1930
  46. Slumdogs, Coolies and Gangsters: Amitabh Bachchan and the Legacy of 1970s Bollywood in Slumdog Millionaire