All Stories

  1. Screenwriting in French Cinema, Sarah Leahy and Isabelle Vanderschelden (2021)
  2. The Bloomsbury Handbook of Global Screenplay Theory
  3. Fascinating Rhythm. The Screenwriting of Sound Symphonies for American and European Film of the 1930s
  4. The Aesthetics of Early Sound Film: Media Change around 1930
  5. Screenwriting sound and music: Towards a new field of study
  6. Narrating with Music: Screenwriting Musical Numbers
  7. The Palgrave Handbook of Screenwriting Studies
  8. When Music Takes Over in Film
  9. The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema
  10. Introduction
  11. Roundtable: Pushing the boundaries of the Screenwriting Research Network
  12. Drehbuchforschung
  13. ReFocus: the films of Paul Leni
  14. The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019)
  15. The Screenplay as a Means of Communication: The Case of Notorious
  16. Screening transcendence: film under Austrofascism and the Hollywood hope 1933-1938
  17. Musical numbers in silent and early sound films
  18. Musical moments and numbers in Austrian silent cinema
  19. A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks
  20. Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch
  21. Musik im Film, Musik für den Film: Analysefelder und Methoden
  22. Walter Reisch: The musical writer
  23. Music and Sound in Silent Film: From the Nickelodeon to The Artist
  24. Reviews
  25. Reviews
  26. “Os sons dos filmes mudos”: Uma entrevista com Claus Tieber e Anna K. Windisch
  27. ‘Screenwriting: Between artistic freedom and norms’, 9th SRN Conference, Leeds Beckett University/University of Leeds, UK, 8–10 September 2016
  28. Musik im Film, Musik für den Film: Analysefelder und Methoden
  29. SInging in Silent Cinema
  30. Analysis of screenplay developement for Grand Hotel (1932)
  31. Book review: Flickers of Desire: movie stars of the 1910s
  32. Mary Pickford, Queen of the Movies
  33. The Sounds of Silent Films
  34. The Sound of Music in Vienna’s Cinemas, 1910–1930
  35. Introduction: ‘The Birth of Cinema from the Spirit of Music’
  36. Review of The American Success Myth
  37. Left of Hollywood: cinema, modernism and the emergence of US radical film culture
  38. Zur Inszenierung der Stimme
  39. Musik im Hindifilm zwischen Narration und Reflexion
  40. Das europäische Studiosystem. Traum und Wirklichkeit
  41. Epics, Spectacles, and Blockbusters: a Hollywood history
  42. The Way He Wrote: Dalton Trumbo and Sixteen Unused Pages forThe Way We Were
  43. The Fun Factory: the Keystone Film Company and the emergence of mass culture
  44. Aus der Rolle fallen. Zum Stilmittel des Aparte in Film und Fernsehen
  45. Introduction
  46. The Sound of Music in Vienna’s Cinemas, 1910–1930
  47. Slumdogs, Coolies and Gangsters: Amitabh Bachchan and the Legacy of 1970s Bollywood in Slumdog Millionaire