All Stories

  1. Screenwriting sound and music: Towards a new field of study
  2. Narrating with Music: Screenwriting Musical Numbers
  3. The Palgrave Handbook of Screenwriting Studies
  4. When Music Takes Over in Film
  5. The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema
  6. Introduction
  7. Roundtable: Pushing the boundaries of the Screenwriting Research Network
  8. Drehbuchforschung
  9. ReFocus: the films of Paul Leni
  10. The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019)
  11. The Screenplay as a Means of Communication: The Case of Notorious
  12. Screening transcendence: film under Austrofascism and the Hollywood hope 1933-1938
  13. Musical numbers in silent and early sound films
  14. Musical moments and numbers in Austrian silent cinema
  15. A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks
  16. Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch
  17. Musik im Film, Musik für den Film: Analysefelder und Methoden
  18. Walter Reisch: The musical writer
  19. Music and Sound in Silent Film: From the Nickelodeon to The Artist
  20. Reviews
  21. Reviews
  22. “Os sons dos filmes mudos”: Uma entrevista com Claus Tieber e Anna K. Windisch
  23. ‘Screenwriting: Between artistic freedom and norms’, 9th SRN Conference, Leeds Beckett University/University of Leeds, UK, 8–10 September 2016
  24. Musik im Film, Musik für den Film: Analysefelder und Methoden
  25. SInging in Silent Cinema
  26. Analysis of screenplay developement for Grand Hotel (1932)
  27. Book review: Flickers of Desire: movie stars of the 1910s
  28. Mary Pickford, Queen of the Movies
  29. The Sounds of Silent Films
  30. The Sound of Music in Vienna’s Cinemas, 1910–1930
  31. Introduction: ‘The Birth of Cinema from the Spirit of Music’
  32. Review of The American Success Myth
  33. Left of Hollywood: cinema, modernism and the emergence of US radical film culture
  34. Zur Inszenierung der Stimme
  35. Musik im Hindifilm zwischen Narration und Reflexion
  36. Das europäische Studiosystem. Traum und Wirklichkeit
  37. Epics, Spectacles, and Blockbusters: a Hollywood history
  38. The Way He Wrote: Dalton Trumbo and Sixteen Unused Pages forThe Way We Were
  39. The Fun Factory: the Keystone Film Company and the emergence of mass culture
  40. Aus der Rolle fallen. Zum Stilmittel des Aparte in Film und Fernsehen
  41. Introduction
  42. The Sound of Music in Vienna’s Cinemas, 1910–1930
  43. Slumdogs, Coolies and Gangsters: Amitabh Bachchan and the Legacy of 1970s Bollywood in Slumdog Millionaire