All Stories

  1. The Aesthetics of Early Sound Film: Media Change around 1930
  2. Screenwriting sound and music: Towards a new field of study
  3. Narrating with Music: Screenwriting Musical Numbers
  4. The Palgrave Handbook of Screenwriting Studies
  5. When Music Takes Over in Film
  6. The Rhythm of the Night: Abstraction and Sexuality as Destabilisers in Austrian Silent Cinema
  7. Introduction
  8. Roundtable: Pushing the boundaries of the Screenwriting Research Network
  9. Drehbuchforschung
  10. ReFocus: the films of Paul Leni
  11. The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019)
  12. The Screenplay as a Means of Communication: The Case of Notorious
  13. Screening transcendence: film under Austrofascism and the Hollywood hope 1933-1938
  14. Musical numbers in silent and early sound films
  15. Musical moments and numbers in Austrian silent cinema
  16. A highly creative endeavour: Interview with musicologist and silent film pianist Martin Marks
  17. Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch
  18. Musik im Film, Musik für den Film: Analysefelder und Methoden
  19. Walter Reisch: The musical writer
  20. Music and Sound in Silent Film: From the Nickelodeon to The Artist
  21. Reviews
  22. Reviews
  23. “Os sons dos filmes mudos”: Uma entrevista com Claus Tieber e Anna K. Windisch
  24. ‘Screenwriting: Between artistic freedom and norms’, 9th SRN Conference, Leeds Beckett University/University of Leeds, UK, 8–10 September 2016
  25. Musik im Film, Musik für den Film: Analysefelder und Methoden
  26. SInging in Silent Cinema
  27. Analysis of screenplay developement for Grand Hotel (1932)
  28. Book review: Flickers of Desire: movie stars of the 1910s
  29. Mary Pickford, Queen of the Movies
  30. The Sounds of Silent Films
  31. The Sound of Music in Vienna’s Cinemas, 1910–1930
  32. Introduction: ‘The Birth of Cinema from the Spirit of Music’
  33. Review of The American Success Myth
  34. Left of Hollywood: cinema, modernism and the emergence of US radical film culture
  35. Zur Inszenierung der Stimme
  36. Musik im Hindifilm zwischen Narration und Reflexion
  37. Das europäische Studiosystem. Traum und Wirklichkeit
  38. Epics, Spectacles, and Blockbusters: a Hollywood history
  39. The Way He Wrote: Dalton Trumbo and Sixteen Unused Pages forThe Way We Were
  40. The Fun Factory: the Keystone Film Company and the emergence of mass culture
  41. Aus der Rolle fallen. Zum Stilmittel des Aparte in Film und Fernsehen
  42. Introduction
  43. The Sound of Music in Vienna’s Cinemas, 1910–1930
  44. Slumdogs, Coolies and Gangsters: Amitabh Bachchan and the Legacy of 1970s Bollywood in Slumdog Millionaire