All Stories

  1. Acoustical and Cultural Explanations for Contextual Tonal Stability
  2. Distinct Influences of Timing Predictions on Content Processing in Music and Speech: An EEG and Behavioural Investigation
  3. Acoustical and cultural explanations for contextual tonal stability
  4. WITHDRAWN
  5. Acoustical and cultural explanations for contextual tonal stability
  6. Comparing content and timing predictions in music and speech: How domain and musical training shape our predictions
  7. An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave
  8. Commentary on Buechele, Cooke, & Berezovsky (2024): Entropic Models of Scales and some Extensions
  9. Acoustical and cultural explanations for contextual tonal stability
  10. Exploring the Comprehensibility of Ten Different Musical Notation Systems and Underlying Factors
  11. Acoustical and cultural explanations for contextual tonal stability
  12. The effects of rhythmic structure on tapping accuracy
  13. Evidence for a universal association of auditory roughness with musical stability
  14. A point-process model of tapping along to difficult rhythms
  15. Audio analysis reveals mutual associations between clients’ and therapists’ vocal timbres in Guided Imagery and Music sessions
  16. Emotional responses in Papua New Guinea show negligible evidence for a universal effect of major versus minor music
  17. Exploring older adult needs and preferences for technology-assisted group music-making. A qualitative analysis of data collected during the participatory user-centred design process
  18. Evidence for a universal association of auditory roughness with musical dissonance
  19. Music Perception Abilities and Ambiguous Word Learning: Is There Cross-Domain Transfer in Nonmusicians?
  20. Emotional responses in Papua New Guinea show negligible evidence for a universal effect of major versus minor music
  21. Evaluative conditioning of responses to unfamiliar chords by exposure to valenced images
  22. New musical interfaces for older adults in residential care: assessing a user-centred design approach
  23. The effects of rhythmic structure on tapping accuracy
  24. The perceptual relevance of balance, evenness, and entropy in musical rhythms
  25. Making the Unfamiliar Familiar: The Effect of Exposure on Ratings of Unfamiliar Musical Chords
  26. Prefrontal High Gamma in ECoG Tags Periodicity of Musical Rhythms in Perception and Imagination
  27. The perceptual relevance of balance, evenness, and entropy in musical rhythms
  28. Cognitive, Motor and Social Factors of Music Instrument Training Programs for Older Adults’ Improved Wellbeing
  29. Perceived Emotions of Harmonic Cadences
  30. The Rhythmotron
  31. Prefrontal high-gamma in ECoG tags periodicity of musical rhythms in perception and imagination
  32. Perception of affect in unfamiliar musical chords
  33. Timbre Preferences in the Context of Mixing Music
  34. Controlling Perception Thresholds for Changing Timbres in Continuous Sounds
  35. Spectral Pitch Similarity is a Predictor of Perceived Change in Sound- as Well as Note-Based Music
  36. Distributional Analysis of n-Dimensional Feature Space for 7-Note Scales in 22-TET
  37. Teaching Music with Mathematics: A Pilot Study
  38. XronoMorph: Investigating Paths Through Rhythmic Space
  39. The Effect of Isomorphic Pitch Layouts on the Transfer of Musical Learning †
  40. Teaching Mathematics with Music: A Pilot Study
  41. Linking Sonic Aesthetics with Mathematical Theories
  42. Exploring the Effects of Pitch Layout on Learning a New Musical Instrument
  43. Exploring the space of perfectly balanced rhythms and scales
  44. Testing a spectral model of tonal affinity with microtonal melodies and inharmonic spectra
  45. Computational Creation and Morphing of Multilevel Rhythms by Control of Evenness
  46. Empirically testingTonnetz, voice-leading, and spectral models of perceived triadic distance
  47. A Spectral Pitch Class Model of the Probe Tone Data and Scalic Tonality
  48. Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters
  49. A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings
  50. Modelling the similarity of pitch collections with expectation tensors
  51. Scratching the Scale Labyrinth
  52. Spectral Tools for Dynamic Tonality and Audio Morphing
  53. Tuning continua and keyboard layouts
  54. Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum