All Stories

  1. The Music Perception Toolbox: Analytical Methods for Pitch and Rhythm Similarity, Consonance, Complexity, and Structure
  2. Acoustical and Cultural Explanations for Contextual Tonal Stability
  3. Distinct Influences of Timing Predictions on Content Processing in Music and Speech: An EEG and Behavioural Investigation
  4. Acoustical and cultural explanations for contextual tonal stability
  5. WITHDRAWN
  6. Acoustical and cultural explanations for contextual tonal stability
  7. Comparing content and timing predictions in music and speech: How domain and musical training shape our predictions
  8. An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave
  9. Commentary on Buechele, Cooke, & Berezovsky (2024): Entropic Models of Scales and some Extensions
  10. Acoustical and cultural explanations for contextual tonal stability
  11. Exploring the Comprehensibility of Ten Different Musical Notation Systems and Underlying Factors
  12. Acoustical and cultural explanations for contextual tonal stability
  13. The effects of rhythmic structure on tapping accuracy
  14. Evidence for a universal association of auditory roughness with musical stability
  15. A point-process model of tapping along to difficult rhythms
  16. Audio analysis reveals mutual associations between clients’ and therapists’ vocal timbres in Guided Imagery and Music sessions
  17. Emotional responses in Papua New Guinea show negligible evidence for a universal effect of major versus minor music
  18. Exploring older adult needs and preferences for technology-assisted group music-making. A qualitative analysis of data collected during the participatory user-centred design process
  19. Evidence for a universal association of auditory roughness with musical dissonance
  20. Music Perception Abilities and Ambiguous Word Learning: Is There Cross-Domain Transfer in Nonmusicians?
  21. Emotional responses in Papua New Guinea show negligible evidence for a universal effect of major versus minor music
  22. Evaluative conditioning of responses to unfamiliar chords by exposure to valenced images
  23. New musical interfaces for older adults in residential care: assessing a user-centred design approach
  24. The effects of rhythmic structure on tapping accuracy
  25. The perceptual relevance of balance, evenness, and entropy in musical rhythms
  26. Making the Unfamiliar Familiar: The Effect of Exposure on Ratings of Unfamiliar Musical Chords
  27. Prefrontal High Gamma in ECoG Tags Periodicity of Musical Rhythms in Perception and Imagination
  28. The perceptual relevance of balance, evenness, and entropy in musical rhythms
  29. Cognitive, Motor and Social Factors of Music Instrument Training Programs for Older Adults’ Improved Wellbeing
  30. Perceived Emotions of Harmonic Cadences
  31. The Rhythmotron
  32. Prefrontal high-gamma in ECoG tags periodicity of musical rhythms in perception and imagination
  33. Perception of affect in unfamiliar musical chords
  34. Timbre Preferences in the Context of Mixing Music
  35. Controlling Perception Thresholds for Changing Timbres in Continuous Sounds
  36. Spectral Pitch Similarity is a Predictor of Perceived Change in Sound- as Well as Note-Based Music
  37. Distributional Analysis of n-Dimensional Feature Space for 7-Note Scales in 22-TET
  38. Teaching Music with Mathematics: A Pilot Study
  39. XronoMorph: Investigating Paths Through Rhythmic Space
  40. The Effect of Isomorphic Pitch Layouts on the Transfer of Musical Learning †
  41. Teaching Mathematics with Music: A Pilot Study
  42. Linking Sonic Aesthetics with Mathematical Theories
  43. Exploring the Effects of Pitch Layout on Learning a New Musical Instrument
  44. Exploring the space of perfectly balanced rhythms and scales
  45. Testing a spectral model of tonal affinity with microtonal melodies and inharmonic spectra
  46. Computational Creation and Morphing of Multilevel Rhythms by Control of Evenness
  47. Empirically testingTonnetz, voice-leading, and spectral models of perceived triadic distance
  48. A Spectral Pitch Class Model of the Probe Tone Data and Scalic Tonality
  49. Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters
  50. A MIDI Sequencer That Widens Access to the Compositional Possibilities of Novel Tunings
  51. Modelling the similarity of pitch collections with expectation tensors
  52. Scratching the Scale Labyrinth
  53. Spectral Tools for Dynamic Tonality and Audio Morphing
  54. Tuning continua and keyboard layouts
  55. Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum