Stories
- The Armoured Self, Un-becoming the Subject
Article

- The Reproachful Head of the Green Knight: Exploring the eerie, liminality, deep time and duration in ‘Sir Gawain and the Green Knight’
Article

- A Sentimental Android? M3GAN (2022) and Monstrous Doubling as a Negotiation of the Gendered Neo-Liberal Self
Article
- Interrogating glamour: piercing visual pleasure, an antidote to passive spectatorship
Article
- Seeing the xenomorph, Giger’s alien in the context of machinic modernism
Article

- Representing: Sir Gawain and the Green Knight
Article
- The Abortive Superman, Übermensch as monster in the work of Panos Cosmatos
Article

- James VanDerZee's photographs of the Black middle-class living in 1920s Harlem
Article

- Early 20th century representations of Mexico City in the photography of Agustin Victor Casasola
Article
- Representations of the modernization of Rio in Revert Henrique's Photography
Article
- Planetary thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968–2004)
Article

- Reflections of Durbar in the Diaspora
Article

- A platform for musical rehearsal in Virtual Reality
Article

- Drag expressions on social media
Article

- Heavy Metal Battle Jackets and Authenticity
Article

- Representations of Caraqueño Modernity in the Photography of Tito Caula
Article

- Randomness and chance as Writing Methodology
Article 
- Medium Wars: Adapting the Film Narrative of Star Wars for Radio
Article
- Television will archive itself: Channel 4’s role in revalorising ‘old’ TV
Article

- Method Illustration
Article

- Holes in Lace
Article

- Drawing the Borderline
Article
- Aesthetic autonomy and the beholder's share
Article
- Mapping creative industries of Bangladeshi heritage, case study of Oitij-jo
Article