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How did people watch Jacobethan plays when they were new? What differences to reception of the words might body language and staging make? What effect might exposure to the visual arts e.g. emblem have made to composition and reception? What different aesthetics might be in play?
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This page is a summary of: Judicious, Sharp Spectators? Form, Pattern and Audience in Early Modern Theatre: Some Problems, Cahiers Élisabéthains A Journal of English Renaissance Studies, May 2014, SAGE Publications,
DOI: 10.7227/ce.85.1.1.
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