What is it about?
Valentine Gross Hugo (1887-1968), an artist remembered for her illustrations in surrealist poetry and edited collections, started her career decades earlier contributing to magazines like Art et Décoration, La Revue Archéologique, Le Mercure Musical, Comoedia Illustré, La Gazette du Bon Ton, and La Revue Musicale. Examining her textual and visual commentaries on the Ballets Russes, her theories on modern dance, and her designs for fashion and theater, this article demonstrates how Hugo’s unique interpretations contributed to early 20th century French journalistic culture and shaped the reception of modernism in France.
Featured Image
Photo by Edward Robinson on Unsplash
Read the Original
This page is a summary of: Valentine Gross Hugo: Fashion & Performance in Early Twentieth-Century French Magazines, The Journal of Modern Periodical Studies, January 2020, The Pennsylvania State University Press,
DOI: 10.5325/jmodeperistud.11.2.0217.
You can read the full text:
Contributors
The following have contributed to this page







