What is it about?

In this article I explore the depiction of Edward Snowden and Julian Assange in fiction film and its connection to what I would like to call, with Slavoj Žižek, “Hollywood ideology”; the heroisation of the “ordinary guy” against a big institution or a corrupt individual, as it is the case in Snowden (2016) on the one hand, and at the same time the impossibility of true systemic critique when the one who is criticising is “outside of the system”, as Assange in The Fifth Estate (2013). Both films also rely on the notion of individualism and convey conflicting messages in regard to understanding the perception of whistleblowers today.

Featured Image

Read the Original

This page is a summary of: ‘Everyone Has Secrets’: Revealing the Whistleblower in Hollwood Film in the Examples of <em>Snowden</em> and <em>The Fifth Estate</em>, M/C Journal, August 2020, Queensland University of Technology,
DOI: 10.5204/mcj.1668.
You can read the full text:

Read

Contributors

The following have contributed to this page