Benjy’s Howl: From Symptom to Sinthome in William Faulkner’s The Sound and the Fury

What is it about?

This article employs Jacques Lacan’s concept of the sinthome to discuss the consequences of William Faulkner’s experimental employment of the stream-of-consciousness narrative mode in writing The Sound and the Fury. As Ebileeni suggests, Faulkner effectively evacuates the authoritative narrator who may meditate, mediate, and re-envision the Compsons’ experiences from a privileged position. Instead, the composition of their experiences is held together by something else – a symptom. Psychoanalytically, the absence of a reliable narrator creates a discursive space devoid of authority, not unlike the psychotic’s reality. Composed of multiple voices in the “stream-of-consciousness” narrative mode, The Sound and the Fury’s “parallactic” narrative-structure suggests a context of psychosis in which the deeply retarded Benjy Compson’s unintelligible howl functions as a symptom – more accurately a sinthome that holds the text together. Narration in The Sound and the Fury does not move from the Symbolic to the Real to unveil the kernel of Benjy's cryptic enunciation as would have been expected in a neurotic context. Rather, it surfaces through the invention of a sinthome.

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