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This essay examines the ways in which the sculptor Waldo Story references, and reworks, specific examples of antique, classical and contemporary sculpture in his marble group The Fallen Angel (1887), and how his partial copying and partial reworking represents a creative engagement with sculpture and its histories.
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This page is a summary of: A creative engagement with historic and modern sculpture: Waldo Story's Fallen Angel, Sculpture Journal, January 2014, Liverpool University Press,
DOI: 10.3828/sj.2014.15.
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