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This paper argues that David Bordwell's concept of intensified continuity is a useful framework for analyzing the stylistic norms that govern sound design in contemporary mainstream narrative cinema. Using the films of Edgar Wright as case studies, I demonstrate how digital sound technology has allowed filmmakers to balance highly stylized uses of sound with traditional methods of storytelling.

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This page is a summary of: ‘Bring the Noise!’ Sonic Intensified Continuity in the Films of Edgar Wright, Music Sound and the Moving Image, October 2013, Liverpool University Press,
DOI: 10.3828/msmi.2013.7.
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