What is it about?
In this paper we will look at whether next-generation mixers are less reliant on orthodox audio principles and more on their IT skills; and propose a new framework for sound designers wanting to express their creative sound concepts.
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Why is it important?
Television sound's place in the digital audio jigsaw has accelerated product development and the take-up of affordable audio technology by contemporary sound practitioners. As a consequence, established, mature digital recording and production methods are being replaced by modern techniques, tools and protocols – along with a questionable assumption in some quarters of moving picture production, that irrespective of budget, experience or technical training, anyone can now create an acceptable soundtrack for film or television.
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This page is a summary of: Audio Imagineering: Utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production, The New Soundtrack, March 2016, Edinburgh University Press,
DOI: 10.3366/sound.2016.0084.
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