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Returning to the in/articulations of the death drives in Beyond the Pleasure Principle, this paper speculates about a literary debt that appears and disappears in Freud's essay. It follows the various modes of play within the text: the playing of a child's game, the staging of a tragic play, the magical play of examples, and the animate, incessant play of language—particularly the play of a single letter, O.
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This page is a summary of: More Strange Return: What Freud Owes Literature, Oxford Literary Review, December 2016, Edinburgh University Press,
DOI: 10.3366/olr.2016.0193.
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