What is it about?

Returning to the in/articulations of the death drives in Beyond the Pleasure Principle, this paper speculates about a literary debt that appears and disappears in Freud's essay. It follows the various modes of play within the text: the playing of a child's game, the staging of a tragic play, the magical play of examples, and the animate, incessant play of language—particularly the play of a single letter, O.

Featured Image

Read the Original

This page is a summary of: More Strange Return: What Freud Owes Literature, Oxford Literary Review, December 2016, Edinburgh University Press,
DOI: 10.3366/olr.2016.0193.
You can read the full text:

Read

Contributors

The following have contributed to this page