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Samuel Beckett's work shows an enduring interest in religious themes and imagery. In this article, I discuss his treatment of the figure of Jesus. I argue that, like the writers of the European middle ages, Beckett returns to two perspectives on Jesus: first, Christ as a victorious king, and second, Christ as a tortured victim. I show how Beckett sees these two Christs as relating to his artistic vision, and his aspiration to 'fail, as no other dare fail'.

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This page is a summary of: Hey Prestos and Humilities: Two of Beckett's Christs, Journal of Beckett Studies, April 2016, Edinburgh University Press,
DOI: 10.3366/jobs.2016.0157.
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