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This paper builds on and advances on previous philosophical and film theoretical debates, including Adorno's concept of an ‘uncinematic’ element that negates movement in modern cinema, Lyotard's defence of ‘acinema’, Badiou's concept of 'inaesthetics' and Bazin's 'impure cinema'.
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This page is a summary of: Non-Cinema, or The Location of Politics in Film, Film-Philosophy, February 2016, Edinburgh University Press,
DOI: 10.3366/film.2016.0007.
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