What is it about?

The research is associated with a comprehensive study of icon painting in Sloboda Ukraine, an attempt at historical justification and objective interpretation of icon painting artefacts of the Baroque period in the seventeenth and eighteenth century from the point of view of the style formation, icon painting features and identification of regional specificity as an integral part of the historically determined artistic system and artistic phenomenon of Ukrainian culture.

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Why is it important?

The scientific novelty of the research is that it is for the first time in art history that the evolution of icon painting in Sloboda Ukraine is studied and the concept of the cultural and historical context of the origin and development of this artistic phenomenon is extended based on primary sources. The place that the Sloboda Ukraine icons occupy in the general development of Ukrainian icon painting has been determined for the first time.

Perspectives

I hope that the article will familiarize the reader with such a little-known and little-researched topic as the icon painting of eastern Ukraine of the Baroque period (17-18 centuries). And scientists will begin to identify the East of Ukraine with the authentic name - Slobozhanshchyna.

Tetyana Panyok
H.S. Skovoroda Kharkiv National Pedagogical University, Kharkiv, Ukraine.

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This page is a summary of: UKRAINIAN BAROQUE AND EUROPEAN CONTEXT, National Academy of Managerial Staff of Culture and Arts Herald, August 2018, National Academy of Managerial Staff of Culture and Arts,
DOI: 10.32461/2226-3209.3.2018.147523.
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