What is it about?

Panofsky and White hypothezised that « axial constructions » result from a projective system in which object’s measurements are taken on an projection circle, before being moved to the picture plane (i.e. synthetic perspective). Although this construction has been yet criticized regarding painter’s ability to apply it, the idea of using synthetic perspective regularly reappears for it never has been examined in detail.

Featured Image

Why is it important?

From a mathematical point of view, this system is simply impossible because, in a synthetic perspective, three vanishing lines taken on the same side of the axis cannot be parallel nor admit a convergence point. The rejection of Panofsky-White’s conjecture puts and end to a long series of contradictory judgements on this problem, and opens the way to a radical reinterpretation of axial constructions.

Read the Original

This page is a summary of: Une propriété mathématique de la perspective synthétique réfutant son existence médiévale (1295-1450), Zeitschrift für Kunstgeschichte, January 2004, JSTOR,
DOI: 10.2307/20474264.
You can read the full text:

Read

Contributors

The following have contributed to this page