Gadamer's Hermeneutics and the Uses of Forgery

What is it about?

Gadamer insists that we can never abandon our own ‘horizon’ and transpose ourselves into or reconstruct an artist’s historical context, and re-experience a work’s original meaning. Our context-bound values and beliefs, or prejudgments, are a necessary condition for all understanding, but we can become aware of them in the attempt to understand works of art of the past, and achieve a fusion of horizons. But what of contemporary forgeries of artworks from the past, produced by someone sharing our own horizon? Forgers tend to exaggerate the qualities or properties of a work that their generation particularly appreciates. Only when interpreters are able to recognize the forger’s prejudgments, which render his work different from that of the horizon he seeks to imitate, does the true meaning of the forger’s work become apparent, as – famously – in the case of Van Meegeren’s imitations of ‘Vermeers.’ Contemporary forgeries are a good test of whether we are able to recognize our prejudgments.

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