What is it about?
This article compares the approach to screen melodrama in works by Mexican, Brazilian, Swiss, and Iranian women filmmakers in an attempt to understand the intersection between the critique of patriarchy and disaffection with the effects of neoliberal globalization.
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Why is it important?
The article adopts an internationally comparative approach to understanding film melodrama, and highlights the work of seldom-studied filmmakers. It encourages the consideration of feminist melodrama within a transnational framework.
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This page is a summary of: (Dis)Affection and Recognition in Millennial Urban Melodrama: Transnational Perspectives by Women Filmmakers, Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, July 2016, REBECA - Revista Brasileira de Estudos de Cinema e Audiovisual,
DOI: 10.22475/rebeca.v4n1.339.
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