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This article focuses on Murmures à Beyoğlu (2009), the first novel by French writer David Boratav (Paris, 1971), and on the analysis of some of its basic characteris-tics as a postmodern novel. Thus, we will prioritize the interpretation of the protago-nist and the city as the umpteenth post-modern re-reading of the Odyssey , in the journey of initiation of a Homeric character à la recherche of his lost Ithaca, Istanbul. The portrayal of the central character is completed with a sketch of the intertextual richness of the novel, and the vision of the Turkish capital is framed within the post-modern representation of the city, under a complex perspective that steers clear of the typical nineteenth-century exoticism
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This page is a summary of: Une lecture postmoderne de Murmures à Beyoğlu: une odyssée intertextuelle de Nabokov à Pamuk, de Paris à Istanbul, Çédille, April 2015, Cordoba University Press (UCOPress),
DOI: 10.21071/ced.v11i.5586.
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