What is it about?
Two Portuguese productions of Lear and Sonnet 30 where the hierarchy between performers and audiences is broken down to create new forms of interaction between them
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Why is it important?
Performer/audience interactions are more and more frequent but are infrequently analysed
Perspectives
I was interested in thinking through the politics of space which seems so apparently unpolitical
Francesca Rayner
Universidade do Minho
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This page is a summary of: Dehierarchizing Space: Performer-Audience Collaborations in Two Portuguese Performances of Shakespeare, Multicultural Shakespeare Translation Appropriation and Performance, January 2017, De Gruyter,
DOI: 10.1515/mstap-2017-0003.
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